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Contents ( 101)
  1. THE COURT OF MIRACLES
  2. Kester Grant
  3. Copyright
  4. Dedication
  5. Map
  6. THE LAW OF THE MIRACLE COURT
  7. PART ONE
  8. How Fear Came
  9. 1823
  10. 1
  11. Le Début de l’Histoire
  12. 2
  13. The Keepers of the Gates
  14. 3
  15. The Lord of Thieves
  16. 4
  17. She Who Sleeps
  18. 5
  19. The Claws of the Hawk
  20. PART TWO
  21. The Dead Wolf
  22. 1829
  23. 6
  24. The Tiger
  25. 7
  26. The Black Cat’s Choice
  27. 8
  28. The Dealers of Death
  29. 9
  30. The Dead
  31. 10
  32. La Vallée de Misère
  33. 11
  34. The Dead Lord
  35. 12
  36. Les Oubliettes
  37. 13
  38. The Miracle Court
  39. 14
  40. The Master’s Hand
  41. PART THREE
  42. The Bread Price
  43. 15
  44. The Fountain
  45. 16
  46. The Dead Trial
  47. 17
  48. The Pont Neuf
  49. 18
  50. Of Drownings
  51. 19
  52. The Dauphin of France
  53. 20
  54. Ettie’s Tale
  55. 21
  56. The Sisters
  57. 22
  58. The Mesmerist
  59. 23
  60. Les Diamants de la Couronne
  61. 24
  62. The Bread Price
  63. 25
  64. The Stripes of the Cat
  65. PART FOUR
  66. The Black Cat’s Hunting
  67. 1832
  68. 26
  69. The Société des Droits de l’Homme
  70. 27
  71. Gray Brother
  72. 28
  73. Master of Knives
  74. 29
  75. Of Paper and Rats
  76. 30
  77. What the Lords Said
  78. 31
  79. The Dead Lord’s Word
  80. 32
  81. She Who Was Lost
  82. 33
  83. The Ruined Flesh
  84. 34
  85. The Truth
  86. 35
  87. Inspector Javert
  88. 36
  89. A Little Fall of Rain
  90. 37
  91. The Courier
  92. 38
  93. The Tiger’s Lair
  94. 39
  95. The Black Cat’s Father
  96. 40
  97. The Death Song
  98. 41
  99. The End of the Tale
  100. Les milles remerciements—en ordre chronologique
  101. About the Publisher

Ettie is wide-eyed as she inspects the paintings hung on the walls. On the left is a smudged mural of a skeleton dancing with a beautiful young woman: the oldest existing depiction of the danse macabre. On the right is a cluster of portraits: gentlemen and women of varying ethnicities, all dressed in fine black velvet, each holding a goblet filled with what looks like red wine but is actually blood. Rumor has it the portraits are painted in blood too. Each figure either holds a dagger or has a snake wound around their free arm to show which of the two houses of the Guild they belong to: Poisons or Knives.

“Who are they?” Ettie whispers.

“The Lords of this Guild.”

The last portrait depicts a slight woman holding a dagger to show she’s of the House of Knives.

There’s a breeze.

The hair on the back of my neck rises, and every nerve in me screams danger.

“Can I help you?” asks a voice like a dagger point.

Ettie leaps in surprise. Out of nowhere a tall, thin young man has appeared beside us. His hair is black and barely curls. His skin is tanned, showing his Maghreb heritage. He’s dressed from head to toe in varying shades of almost-black. He looks at us with dark, expressionless eyes.

He is Montparnasse of the House of Knives, Master of the Assassins Guild. Children of the Miracle Court are respected for the threat their Guild poses. Montparnasse is one of the highest-ranked Masters of the most dangerous Guild of all.

“Bonjour,” Ettie says politely.

Horrifyingly, slowly, I become aware that the space around us is full of people. An ebony-skinned young man and a Corsican with an eye patch stand on either side of us, watching.

“Master of Knives.” I try to keep the tremor out of my voice. “Nous sommes d’un sang.” We are of one blood. I give the slightest of bows while keeping my eyes firmly on him.

He tilts his head and looks me over, and in a blur, he is inches from me. He raises a hand and I incline my head, a sign of submission, offering my neck for slitting if he sees fit.

Something cold and sharp touches my skin like a whisper, brushing my hair behind my ear, to reveal my diamond tattoo, the mark of my Guild.

Montparnasse is so close I am sure he can taste my fear. I try hard not to shake as he looks at me, close as a lover. I try very hard not to think about the fact that he smells of steel, salt, bone, and blood.

“Thieves Guild,” he whispers, like a caress on my skin.

Do I imagine the tiniest glimmer of surprise in his voice?

Then we’re grabbed from behind, dark sacks thrown over our heads. Ettie cries out through the rough cloth. This is bad. I was mad to have come. No one walks into the Assassins Guild and leaves alive.