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Contents ( 101)
  1. THE COURT OF MIRACLES
  2. Kester Grant
  3. Copyright
  4. Dedication
  5. Map
  6. THE LAW OF THE MIRACLE COURT
  7. PART ONE
  8. How Fear Came
  9. 1823
  10. 1
  11. Le Début de l’Histoire
  12. 2
  13. The Keepers of the Gates
  14. 3
  15. The Lord of Thieves
  16. 4
  17. She Who Sleeps
  18. 5
  19. The Claws of the Hawk
  20. PART TWO
  21. The Dead Wolf
  22. 1829
  23. 6
  24. The Tiger
  25. 7
  26. The Black Cat’s Choice
  27. 8
  28. The Dealers of Death
  29. 9
  30. The Dead
  31. 10
  32. La Vallée de Misère
  33. 11
  34. The Dead Lord
  35. 12
  36. Les Oubliettes
  37. 13
  38. The Miracle Court
  39. 14
  40. The Master’s Hand
  41. PART THREE
  42. The Bread Price
  43. 15
  44. The Fountain
  45. 16
  46. The Dead Trial
  47. 17
  48. The Pont Neuf
  49. 18
  50. Of Drownings
  51. 19
  52. The Dauphin of France
  53. 20
  54. Ettie’s Tale
  55. 21
  56. The Sisters
  57. 22
  58. The Mesmerist
  59. 23
  60. Les Diamants de la Couronne
  61. 24
  62. The Bread Price
  63. 25
  64. The Stripes of the Cat
  65. PART FOUR
  66. The Black Cat’s Hunting
  67. 1832
  68. 26
  69. The Société des Droits de l’Homme
  70. 27
  71. Gray Brother
  72. 28
  73. Master of Knives
  74. 29
  75. Of Paper and Rats
  76. 30
  77. What the Lords Said
  78. 31
  79. The Dead Lord’s Word
  80. 32
  81. She Who Was Lost
  82. 33
  83. The Ruined Flesh
  84. 34
  85. The Truth
  86. 35
  87. Inspector Javert
  88. 36
  89. A Little Fall of Rain
  90. 37
  91. The Courier
  92. 38
  93. The Tiger’s Lair
  94. 39
  95. The Black Cat’s Father
  96. 40
  97. The Death Song
  98. 41
  99. The End of the Tale
  100. Les milles remerciements—en ordre chronologique
  101. About the Publisher

1

Le Début de l’Histoire

It is a time of famine, a time of hungering want that threatens to eat you from the inside out, leaving you good only to wait for the coming of death. And Death the Endless always comes.

It is before dawn, dark and silent. The corpses of the starved have been laid out on the cobblestones overnight, waiting for the carts to bear them away. The dead are wide-eyed, unhearing, uncaring, unafraid. They remind me of my sister, Azelma.

Azelma, who never cries, cried for two whole days. She wouldn’t eat or sleep. I tried everything, even saying that Father was coming with two bottles of whiskey in his belly and rage in his eyes. But she didn’t move, unhearing, uncaring, unafraid.

She’s finally stopped crying. For the last few hours she’s been lying on her bed, staring into the distance. She won’t answer me, won’t even look at me. I think I prefer the crying.

Azelma used to wake me with a murmur of “Viens, ma petite chatonne,” and I’d lean into her warmth while she brushed my hair and helped me draw on my clothes.

Now I slip from the bed without her and change in the cold, putting on a dress that’s getting too short. Giving my hair a few tugs with a hairbrush and teasing it into a lopsided braid. I splash my face with icy water poured from a heavy porcelain jug and sneak a look back at her. She’s on her side, eyes open but seeing nothing.

The inn is quiet at this hour. I hesitate a moment longer, but she doesn’t move, so I go downstairs and grab a pail, take a faded scarf from a peg by the door. The scarf is Azelma’s and is too big for me, but the well is many streets away from the inn and the walk will be cold. I hate making the trip alone, in the darkness, but I must.

Outside, the freezing air burns my throat. I hasten to the well, trying not to look at the bodies I pass on the street. At the well I lower the pail and heave it back, full, my numb fingers straining with the weight of it.

The road back is treacherous, and with every cautious step my breath rises in clouds. With every breath I think of my sister, and the fear eats at my insides.

When I reach the inn, my shaking arms are relieved to put the bucket down. I pour some of the water into a pan and set it to boil, then look around. The floor needs mopping, even though that never keeps out the smell of spilled wine, and in the dim light, the main hall is a disarray of plates, empty tankards, and jugs; all need scrubbing.

I have dried hundreds of plates while Azelma flicked soapy bubbles at me. I duck and complain. She wrinkles her nose and tells me, “Kittens hate water.”

I sigh and decide to start on the floor. The mop is heavy, and it makes my tired arms ache dreadfully, but I push it back and forth with vigor. Maybe if I can scrub away the stains, I can also scrub away the sick feeling growing in the pit of my stomach.