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Contents ( 101)
  1. THE COURT OF MIRACLES
  2. Kester Grant
  3. Copyright
  4. Dedication
  5. Map
  6. THE LAW OF THE MIRACLE COURT
  7. PART ONE
  8. How Fear Came
  9. 1823
  10. 1
  11. Le Début de l’Histoire
  12. 2
  13. The Keepers of the Gates
  14. 3
  15. The Lord of Thieves
  16. 4
  17. She Who Sleeps
  18. 5
  19. The Claws of the Hawk
  20. PART TWO
  21. The Dead Wolf
  22. 1829
  23. 6
  24. The Tiger
  25. 7
  26. The Black Cat’s Choice
  27. 8
  28. The Dealers of Death
  29. 9
  30. The Dead
  31. 10
  32. La Vallée de Misère
  33. 11
  34. The Dead Lord
  35. 12
  36. Les Oubliettes
  37. 13
  38. The Miracle Court
  39. 14
  40. The Master’s Hand
  41. PART THREE
  42. The Bread Price
  43. 15
  44. The Fountain
  45. 16
  46. The Dead Trial
  47. 17
  48. The Pont Neuf
  49. 18
  50. Of Drownings
  51. 19
  52. The Dauphin of France
  53. 20
  54. Ettie’s Tale
  55. 21
  56. The Sisters
  57. 22
  58. The Mesmerist
  59. 23
  60. Les Diamants de la Couronne
  61. 24
  62. The Bread Price
  63. 25
  64. The Stripes of the Cat
  65. PART FOUR
  66. The Black Cat’s Hunting
  67. 1832
  68. 26
  69. The Société des Droits de l’Homme
  70. 27
  71. Gray Brother
  72. 28
  73. Master of Knives
  74. 29
  75. Of Paper and Rats
  76. 30
  77. What the Lords Said
  78. 31
  79. The Dead Lord’s Word
  80. 32
  81. She Who Was Lost
  82. 33
  83. The Ruined Flesh
  84. 34
  85. The Truth
  86. 35
  87. Inspector Javert
  88. 36
  89. A Little Fall of Rain
  90. 37
  91. The Courier
  92. 38
  93. The Tiger’s Lair
  94. 39
  95. The Black Cat’s Father
  96. 40
  97. The Death Song
  98. 41
  99. The End of the Tale
  100. Les milles remerciements—en ordre chronologique
  101. About the Publisher

Femi indicates a horde of ragged, barefoot boys and girls only a few years older than me.

“Those are the Dogs: Thieves who conduct their business at street level. There are also Horses—highwaymen—though there are only two left in the entire Guild, since the Gentleman no longer rides.”

For any of the Wretched who appear to be everyday persons from the city streets, there are ten others wearing impossibly bright clothing, jewels that glimmer and shine. Men and women with diamonds and rubies dripping from their necks, noses, wrists, ears, fingers, and toes, every knuckle coated in shining stones.

“Those are the Cats,” Femi mutters, indicating the brightly clad figures. “Burglars that prefer to sneak along rooftops and slip through windows and chimneys.”

His eyes narrow at a particularly rotund gentleman garbed in purple, gold, and pink. Every part of him is shining with jewels so weighty it must be impossible for him to lift his hands.

“Cats are always showing off.”

Along one side of the hall is a long, crooked line of people. Femi gestures toward them.

“All Thieves hand their take to the People of the Pen—clerks, on rent from the Guild of Letters. They serve as accountants, lawyers, and auditors to all nine Guilds of the Miracle Court.”

I squint at the row of pale, expressionless men and women seated behind a long table, wearing robes of indistinct color. Their heads are bent; they are all taking copious notes, barely saying a word.

“The People of the Pen are obsessive with information,” Femi whispers. “Their devotion to order and detail is stronger than their will to be corrupted. They’re both feared and respected by all the Wretched, for there’s nothing about us they don’t know. The location of each Guild House is a strictly kept secret, except to myself, as Messenger to all the Guilds, and to the Guild of Letters. When the People of the Pen come knocking at the door for an audit, even the most fearsome of Guild Lords lets them enter.”

Once the takes are noted and signed for, they are handed to clerks with magnifying glasses and monocles that give them the strange appearance of owls. They inspect each item, testing silver and gold, setting things alight, striking them with hammers, even biting them before announcing their findings, which are sometimes met with laughter at the Thieves’ expense, or murmurs of jealousy at some of their better takes.

In the center of the room is an intricately carved black chair. Hanging from its high, pointed back are piles of sparkling necklaces, a glittering diadem or two, and several fine embroidered tapestries. Sitting in the thronelike chair is a man a little older than my father. He has the same copper-brown skin and cunning golden eyes as Femi.

They must be kin, I think.

He is dressed more modestly than many of the Thieves around him, in a well-cut coat and shirt of unexceptional color. In fact, nothing about him is exceptional except for two chains of varying lengths that encircle his neck: one a shimmering rope of pure diamonds, another a collar of rubies gleaming in the light of a hundred burning candelabras.