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Contents ( 72)
  1. Dedication
  2. Epigraph
  3. Contents
  4. The Old Bailey, London, 7 April 1826
  5. Chapter One
  6. Paradise, Jamaica, 1812‒25
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. London, February 1825
  14. Chapter Eight
  15. Chapter Nine
  16. Chapter Ten
  17. Chapter Eleven
  18. Chapter Twelve
  19. Chapter Thirteen
  20. Chapter Fourteen
  21. Chapter Fifteen
  22. Chapter Sixteen
  23. Chapter Seventeen
  24. Chapter Eighteen
  25. Chapter Nineteen
  26. Chapter Twenty
  27. Chapter Twenty-One
  28. Chapter Twenty-Two
  29. Chapter Twenty-Three
  30. Chapter Twenty-Four
  31. Chapter Twenty-Five
  32. Chapter Twenty-Six
  33. Chapter Twenty-Seven
  34. Chapter Twenty-Eight
  35. Chapter Twenty-Nine
  36. Chapter Thirty
  37. Chapter Thirty-One
  38. Chapter Thirty-Two
  39. The School-house
  40. August 1825‒January 1826
  41. Chapter Thirty-Three
  42. Chapter Thirty-Four
  43. Chapter Thirty-Five
  44. Chapter Thirty-Six
  45. Chapter Thirty-Seven
  46. Levenhall
  47. January 1826
  48. Chapter Thirty-Eight
  49. Chapter Thirty-Nine
  50. The Old Bailey
  51. 7 April 1826
  52. Chapter Forty
  53. Chapter Forty-One
  54. Chapter Forty-Two
  55. Chapter Forty-Three
  56. Chapter Forty-Four
  57. Chapter Forty-Five
  58. Newgate Prison
  59. Chapter Forty-Six
  60. Chapter Forty-Seven
  61. Chapter Forty-Eight
  62. Chapter Forty-Nine
  63. Chapter Fifty
  64. Chapter Fifty-One
  65. Chapter Fifty-Two
  66. Chapter Fifty-Three
  67. Chapter Fifty-Four
  68. Author’s Note
  69. Acknowledgements
  70. About the Author
  71. Copyright
  72. About the Publisher

‘I am going somewhere, My Lord.’ You turn back to the doctor. ‘Did you make any enquiries about Madame Benham? Her habits? How often she took opium, for example?’

The judge taps a hand on his bench. ‘Mr Pettigrew. At some point if a man hasn’t got anything on his hook, he might assume the problem is his bait.’

‘My Lord, I’ve been led to wonder whether Dr Wilkes overlooked the presence of opium in the stomach contents. I’m instructed that Mrs Benham was a laudanum addict ‒’

The doctor juts out his chin. ‘I’d been informed that Mrs Benham had been taking laudanum for some months, on advice of a physician. I can’t now remember his name. Folke? Falk?’

You glance at your paper. ‘Fawkes?’

‘Fawkes. Yes. I think that was it. The presence of the drug would have been entirely consistent with that medical history. Mrs Benham had attended her soirée earlier that evening, and appeared in perfectly good spirits. Testing for opium, even if such a thing could be done, would have been nothing but a wild-goose chase.’

‘Did you perform any tests?’

‘Mr Pettigrew,’ interrupts the judge. ‘Set yourself down a different path.’

‘My Lord.’ You take a step back. ‘Something else is troubling me, Doctor. Do you see here the clothes worn that evening by the victims?’

‘Yes.’

‘Well, then, look. His clothes are soaked. Bow to stern, as they say. Do you see? As if he bled and bled again. Like the old superstition which held that a corpse’s wounds would bleed when the killer approached ‒ “open their congealed mouths and bleed afresh”, as Shakespeare wrote. Yet hers are stained only lightly.’ The lavender-grey silk clings as you hold it up, a woman holding fast her lover’s ankles. Splashes of dark dried blood on the bodice. ‘How would you account for it?’

He pauses, folds his arms. ‘Simple, Mr Pettigrew. He had numerous wounds. Stabbed over and over, and stabbed deep. On the other hand, hers were not so deep.’

‘Not so deep?’

‘No.’ His voice blunt as granite. But he hesitates. A heartbeat. Or is that only the spinning in my head?

‘Yet you still swear positively that exsanguination was the cause of her death?’

I can’t look at Dr Wilkes. I can’t look anywhere. Velvet, brass and polished wood are all stripped away, until all I can see is her. The whole dread scene. The meat-slab of her laid out on a cold table. The black blood puddling through her lungs and heart. Her body nothing more than a sack for organs, a pop of eyes and tongue. I stumble forward. I cry out. Heads turn. One of the turnkeys takes a step towards me and I shake my head, to show them I’ll be good. I must try to compose myself. But now I can’t un-see it. What a mess they would have made of her! And I’d done the same. To so many. So many! I sway on my feet, close my eyes, fall into the darkness inside.