She kissed him again. Harder.

After a moment’s hesitation he kissed her back. She was not surprised that he was good at it. After his dark eyes, his perfect lips were the first thing she’d noticed about him.

Then he pulled his face away.

“No, Sachs, don’t . . . ”

“Shhh, quiet . . . ” She worked her hand under the blankets, began rubbing, touching.

“It’s just that . . . ”

It was what? she wondered. That things might not work out?

But things were working out fine. She felt him growing hard under her hand, more responsive than some of the most macho lovers she’d had.

She slid on top of him, kicked the sheets and blanket back, bent down and kissed him again. Oh, how she wanted to be here, face-to-face—as close as they could be. To make him understand that she saw he was her perfect man. He was whole as he was.

She unpinned her hair, let it fall over him. Leaned down, kissed him again.

Rhyme kissed back. They pressed their lips together for what seemed like a full minute.

Then suddenly he shook his head, so violently that she thought he might have been having an attack of dysreflexia.

“No!” he whispered.

She’d expected playful, she’d expected passionate, at worst a flirtatious Oh-oh, not a good idea . . . But he sounded weak. The hollow sound of his voice cut into her soul. She rolled off, clutching a pillow to her breasts.

“No, Amelia. I’m sorry. No.”

Her face burned with shame. All she could think was how many times she’d been out with a man who was a friend or a casual date and suddenly been horrified to feel him start to grope her like a teenager. Her voice had registered the same dismay that she now heard in Rhyme’s.

So this was all that she was to him, she understood at last.

A partner. A colleague. A capital F Friend.

“I’m sorry, Sachs . . . I can’t. There’re complications.”

Complications? None that she could see, except, of course, for the fact that he didn’t love her.

“No, I’m sorry,” she said brusquely. “Stupid. Too much of that damn single malt. I never could hold the stuff. You know that.”

“Sachs.”

She kept a terse smile on her face as she dressed.

“Sachs, let me say something.”

“No.” She didn’t want to hear another word.

“Sachs . . . ”

“I should go. I’ll be back early.”

“I want to say something.”

But Rhyme never got a chance to say anything, whether it was an explanation or apology or a confession. Or a lecture.

They were interrupted by a huge pounding on the door. Before Rhyme could ask who it was, Lon Sellitto burst into the room.

He glanced at Sachs without judgment, then back to Rhyme and announced, “Just heard from Bo’s guys over at the Twentieth. The Dancer was there, staking out the place. The son of a bitch’s taken the bait! We’re gonna get him, Lincoln. This time we’re gonna get him.”