They’re moving in, Soldier. They’re flanking you.

Yessir, understood.

Stephen glanced over the runways. Other police had appeared. They were crawling toward their cars. One car was speeding directly toward him, only fifty yards away. Stephen used one shot to take out the engine block. Steam spraying from the front end, the car eased to a stop.

Stay calm, he told himself.

We’re prepared to evacuate. We just need one clear shot.

He heard several fast pistol shots. He looked back at the redhead. She was in a competition combat stance, pointing the stubby pistol in his direction, looking for his muzzle flash. The sound of the shot wouldn’t do her any good, of course; it was why he never bothered with silencers. Loud noises are as hard to pinpoint as soft ones.

The redheaded cop was standing tall, squinting as she gazed.

Stephen closed the bolt of the Model 40.

Amelia Sachs saw a faint glimmer and she knew where the Coffin Dancer was.

In a small grove of trees about three hundred yards away. His telescopic sight caught the reflected glint of the pale clouds overhead.

“Over there,” she cried, pointing, to two county cops huddling in their cruiser.

The troopers rolled into their car and took off, skidding behind a nearby hangar to flank him.

“Sachs,” Rhyme called through her headset. “What’s—”

“Jesus, Rhyme, he’s on the field, shooting at the plane.”

“What?”

“Percey’s trying to get to the hangar. He’s shooting explosive slugs. He’s shooting to draw her out.”

“You stay down, Sachs. If Percey’s going to kill herself, let her. But you stay down!”

She was sweating furiously, hands shaking, heart pounding. She felt the quiver of panic run down her back.

“Percey!” Sachs cried.

The woman had broken free from Jerry Banks and rolled to her feet. She was speeding toward the hangar door.

“No!”

Oh, hell.

Sachs’s eyes were on the spot where she’d seen the flare of the Dancer’s ’scope.

Too far, it’s too far, she thought. I can’t hit anything at that distance.

If you stay calm, you can. You’ve got eleven rounds left. There’s no wind. Trajectory’s the only problem. Aim high and work down.

She saw several leaves fly outward as the Dancer fired again.

An instant later a bullet passed within inches of her face. She felt the shock wave and heard the snap as the slug, traveling twice the speed of sound, burned the air around her.

She uttered a faint whimper and dropped to her stomach, cowering.

No! You had a chance to shoot. Before he rechambered. But it’s too late now. He’s locked and loaded again.

She looked up fast, lifted her gun, then lost her nerve. Head down, the Glock pointed generally in the direction of the trees, she fired five fast shots.

But she might as well have been shooting blanks.

Come on, girl. Get up. Aim and shoot. You got six left and two clips on your belt.