“What’re they worried about?” Rhyme asked petulantly. “It’s not as if I can beat him up.”

He thought about lowering his offer to twenty minutes. But that was a sign of weakness. And Lincoln Rhyme did not believe in showing weakness. So he said, “I caught him. I deserve a chance to talk to him.”

And fell silent.

Blaine, his ex-wife, had told him in a moment of very uncharacteristic perception that Rhyme’s eyes, dark as night, argued better than his words did. And so he stared at Sellitto until the detective sighed, then glanced at Dellray.

“Aw, give him a little time,” the agent said. “What’s it gonna hurt? Bring the billy-boy up here. And if he tries to run, hell, gimme a golden excuse for some target practice.”

Sellitto said, “Oh, all right. I’ll make the call. Only, don’t fuck up this case.”

The criminalist barely heard the words. His eyes turned toward the doorway, as if the Coffin Dancer were about to materialize magically.

He wouldn’t have been surprised if that had happened.

“What’s your real name? Is it really Joe or Jodie?”

“Ah, what’s it matter? You caught me. You can call me what you want.”

“How ’bout a first name?” Rhyme asked.

“How ’bout what you call me? The Dancer. I like that.”

The small man examined Rhyme carefully with his good eye. If he was in pain from the wounds, or groggy from medication, he didn’t show it. His left arm was in a shoulder cast but he still wore thick cuffs attached to a waist shackle. His feet were chained too.

“Whatever you like,” Rhyme said pleasantly, and continued to study the man as if he were an unusual pollen spore picked up at a crime scene.

The Dancer smiled. Because of the damaged facial nerves and the bandages, his expression was grotesque. Tremors occasionally shook his body, and his fingers twitched; his broken shoulder rose and fell involuntarily. Rhyme had a curious feeling—that he himself was healthy and it was the prisoner who was the cripple.

In the valley of the blind, the one-eyed man is king.

The Dancer smiled at him. “You’re just dying to know, aren’t you?” he asked Rhyme.

“Know what?”

“To know all . . . That’s why you brought me here. You were lucky—catching me, I mean—but you don’t really have a clue as to how I did it.”

Rhyme clucked his tongue. “Oh, but I know exactly how you did it.”

“Do you now?”

“I just asked you here to talk to you,” Rhyme replied. “That’s all. To talk to the man who almost out-thought me.”

“ ‘Almost.’ ” The Dancer laughed. Another twisted smile. It was really quite eerie. “Okay, then tell me.”

Rhyme sipped from his straw. It was fruit juice. He’d astonished Thom by asking him to dump out the scotch and replace it with Hawaiian Punch. Rhyme now said agreeably, “All right. You were hired to kill Ed Carney, Brit Hale, and Percey Clay. You were paid a lot, I’d guess. Six figures.”