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Chapters (31)
  1. Publisher's Note
  2. Acknowledgments
  3. Epigraph
  4. Photo
  5. Epigraph
  6. Would You Buy a Used Galaxy From This Man?
  7. Introductory Essay
  8. Author's Note
  9. Perils of the "City"
  10. Endnotes
  11. Treatments
  12. March 21, 1966
  13. May 13, 1966
  14. Prologue
  15. Act One
  16. Act Two
  17. Act Three
  18. Act Four
  19. Epilogue
  20. Appendix
  21. Act One
  22. Afterwords
  23. WHO ARE THESE PEOPLE AND WHY ARE THEY IN THIS BOOK...
  24. Peter David
  25. D.C. Fontana
  26. David Gerrold
  27. DeForest Kelley
  28. Walter Koenig
  29. Leonard Nimoy
  30. Melinda M. Snodgrass
  31. George Takei

past him hidden in a shadowy crevice, the phaser aimed at Kirk, listening. He looks around himself, trying to find a way out, but we see it is a cul-de-sac. The only escape route is past the Enterprise crewmen. He looks desperate but vicious, far from finished. KIRK’S VOICE CARRIES.

KIRK

There are legends in space. About you.

1ST GUARDIAN

You are the first visitors we have had for twice two hundred thousand years.

19 ANGLE PAST KIRK IN F.G.

to the Guardians, the mist rising, the light changing. Kirk approaches another step. We can see something in him we have never seen before: wonder, absolute all-consuming wonder. He has found a key to the secrets of the universe that compel him. He is being filled to the top with amazement, and he leans forward almost like a child.

KIRK

I always thought stories about time machines were the drunk-stuff of lab technicians when they’d had too much pure grain to drink.

1ST GUARDIAN

That which is…is.

And he turns his head only infinitesimally. Kirk looks in the direction the Guardian has indicated, and his eyes open wide, delight and amazement and confusion and belief there.

20 THE TIME VORTEX—ESTABLISHING

Set in a tall, narrow rocky defile, it rises up, different to each who see it. A pillar of flame, a shaft of light, a roiling brightness of smoke, whatever wonder you care to make of it, the obvious aspects are light, height and insubstantiality. Construct it as you choose.

1ST GUARDIAN O.S.

Pure matter. Built by a science man will not understand for a hundred thousand times the span of years he has already existed.

21 PAST GUARDIANS TO KIRK

and the others near him, wondering, listening.

KIRK

(awed)

And it’s possible to go back…and forward…in time…?

1ST GUARDIAN

All time, all space. They meet in this brightness, the Vortex.

SPOCK

(very scientific)

Can you give us a demonstration? Is that possible?

The Guardian’s answer is oddly tinged with weariness and pleasure.

1ST GUARDIAN

Time is weary for the craftsman who cannot demonstrate his craft. We have nothing to do but desire to show you. The past.

KIRK

Can you show us the past of any world? There is the faintest possible nod of: Yes, we can.

KIRK

(softly)

The past of Old Earth…please…

The Guardians look toward the pillar of light and as Kirk does so, the CAMERA SHOOTS PAST HIM. At first there is no change, but in a moment there is movement in the light…a thickening…a roiling like oil…like quicksilver mixed with smoke…and a scene begins to take FORM IN THE VORTEX. (NOTE: this, and other scenes in Vortex will be MATTE INSERTS.)

22 CLOSE ON VORTEX—FEATURING MATTE INSERTS (STOCK)

A scene of primordial times; great saurians; a woolly mammoth; steaming prehistoric jungle; reality!

It FADES OUT to be replaced by: