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Chapters (31)
  1. Publisher's Note
  2. Acknowledgments
  3. Epigraph
  4. Photo
  5. Epigraph
  6. Would You Buy a Used Galaxy From This Man?
  7. Introductory Essay
  8. Author's Note
  9. Perils of the "City"
  10. Endnotes
  11. Treatments
  12. March 21, 1966
  13. May 13, 1966
  14. Prologue
  15. Act One
  16. Act Two
  17. Act Three
  18. Act Four
  19. Epilogue
  20. Appendix
  21. Act One
  22. Afterwords
  23. WHO ARE THESE PEOPLE AND WHY ARE THEY IN THIS BOOK...
  24. Peter David
  25. D.C. Fontana
  26. David Gerrold
  27. DeForest Kelley
  28. Walter Koenig
  29. Leonard Nimoy
  30. Melinda M. Snodgrass
  31. George Takei

We PLAY SCENES of Kirk’s deepening involvement with the girl, so that when Beckwith finally arrives on the scene, still unaware that he is moving inexorably toward this focus-point, this unknown girl who means nothing to him, yet means everything to him—we feel a total empathy for Kirk. The truck that is destined to run her down is lumbering through the street. Kirk sees Edith starting to cross. He sees Beckwith notice the girl and the truck, and start to move to save her. We CLOSE on EACH OF THE PRINCIPALS in SLOW MOTION SHOTS that prolong the agony of the moment. Edith moving into the street. Beckwith starting toward her to save her. Kirk starting toward Beckwith to prevent his act. And Kirk not being able to do it!

He cannot sacrifice her, even for the safety of the universe. But at that moment Spock, who has been out of sight, but nearby, fearing just such an eventuality, steps forward and freezes Beckwith in midstep. Edith keeps going and we QUICK CUT to Kirk as we HEAR the SOUND of a TRUCK SCREECHING TO A HALT. As Kirk’s face crumbles, we know what has happened. Destiny has resumed its normal course, the past has been set straight. RIPPLE-DISSOLVE to Enterprise in INTERCUT then back.

Spock helps Kirk back to the location for return to the future. They materialize on the planet and receive the parting words of the Guardians, who tell them the past has been repaired.

Kirk is almost in a state of shock from the death of Edith Keeler, and as Spock speaks to the Guardians, Beckwith lunges away from him, throws himself once more into the pillar of light. Spock starts toward it, but the Guardians stop him.

“He went back again!”

Spock is coldly furious.

No. The vortex cannot be set for the same time twice. You were told that.

“But he’s escaped.”

Not this time. He wanted Forever. The vortex has given him Forever. Like the Möbius strip that has no end, he is locked in Time, he can never escape. His Forever will be in the heart of an exploding sun. He named his own doom.

HARD CUT to special effect shot of Beckwith materializing out of the pillar of light…

…and finding himself materializing in the heart of a sun. An execution that goes on forever and ever, for the vortex has warped time so that Beckwith is caught in a time-Möbius. An inter-locked time-phase that puts him into the heart of a blazing inferno just long enough to die, then snaps him out to a moment before he died, then puts him back, then takes him out, over and over and over and over…