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Chapters (31)
  1. Publisher's Note
  2. Acknowledgments
  3. Epigraph
  4. Photo
  5. Epigraph
  6. Would You Buy a Used Galaxy From This Man?
  7. Introductory Essay
  8. Author's Note
  9. Perils of the "City"
  10. Endnotes
  11. Treatments
  12. March 21, 1966
  13. May 13, 1966
  14. Prologue
  15. Act One
  16. Act Two
  17. Act Three
  18. Act Four
  19. Epilogue
  20. Appendix
  21. Act One
  22. Afterwords
  23. WHO ARE THESE PEOPLE AND WHY ARE THEY IN THIS BOOK...
  24. Peter David
  25. D.C. Fontana
  26. David Gerrold
  27. DeForest Kelley
  28. Walter Koenig
  29. Leonard Nimoy
  30. Melinda M. Snodgrass
  31. George Takei

LeBeque nods slowly. Beckwith gives him the Jewel and the Enterprise Lieutenant swallows it. CAMERA HOLDS past Beckwith smiling knowingly at LeBeque, and as a look of almost orgasmic pleasure crosses the lieutenant’s face, we REVERSE ANGLE from LeBeque’s POV and we see THRU HIS EYES as Beckwith’s face begins to shimmer with weird lights, like a Van deGraaf generator. Then we HEAR the incredible music of the Jewels—sounds from another time, another space, sounds that reach into LeBeque’s head and strum the synapses of his brain as the lights collide and merge and swivel and twirl and dance in patterns of no-pattern, and Beckwith’s face fades away with that damnable knowing smile, and for SEVERAL BEATS we SEE THRU the drug-drunken eyes of a man in the grip of an alien narcotic. Then, as we COME BACK INTO FOCUS we HEAR the VOICE of MR. SPOCK as he yells, “LeBeque! Damp that starboard unit, you’re running into the red! You’ll blow the entire drive! LeBeque!”

And we COME BACK INTO FOCUS finding ourselves in the control central with LeBeque being dragged back away from the damping controls by Spock and several other crewmen.

He reels back and the HIGH PIERCING WHINE of machinery stressing to implosion level subsides as Spock damps the units. The extraterrestrial spins on LeBeque, and coldly informs him,

“You’ve been walking around this control country like a man under water for the past two hours. If you’re feeling unwell, Mr. LeBeque, relieve yourself, and leave the bridge.”

“T—two hours…?” LeBeque murmurs, shaking his head as though to clear it. He excuses himself from the bridge and WE GO WITH HIM as he passes down cross-corridors in the ship, pausing to fight with himself, emotions playing across his face that tell us the man despises himself for what he has allowed himself to become. Then, making a decision, he heads for Beckwith’s cubicle, and as we come to them in 2-SHOT we hear LeBeque say, “I’ve had it. Whatever Kirk wants to do with me, I’ll deserve it; but I’m turning you in, Beckwith.”

He turns to go, and has taken only two steps into the corridor when Beckwith, wild with panic, emerges from behind him and we ZOOM IN on Beckwith as he raises a massive block of green jade and swings it heavily, again and again at LeBeque, out of the frame. Another ZOOM IN on a trio of crewmembers, two men and a woman, as they round the junction of corridors and see the murder and then we HARD CUT TO: