Back The City on the Edge of Forever Save as PDF
Chapters (31)
  1. Publisher's Note
  2. Acknowledgments
  3. Epigraph
  4. Photo
  5. Epigraph
  6. Would You Buy a Used Galaxy From This Man?
  7. Introductory Essay
  8. Author's Note
  9. Perils of the "City"
  10. Endnotes
  11. Treatments
  12. March 21, 1966
  13. May 13, 1966
  14. Prologue
  15. Act One
  16. Act Two
  17. Act Three
  18. Act Four
  19. Epilogue
  20. Appendix
  21. Act One
  22. Afterwords
  23. WHO ARE THESE PEOPLE AND WHY ARE THEY IN THIS BOOK...
  24. Peter David
  25. D.C. Fontana
  26. David Gerrold
  27. DeForest Kelley
  28. Walter Koenig
  29. Leonard Nimoy
  30. Melinda M. Snodgrass
  31. George Takei

Set in a tall, narrow rocky crevice, it rises up, different to each who see it. A pillar of flame, a shaft of light, a roiling brightness of smoke, whatever wonder you care to make of it, the obvious aspects are light, height and insubstantiality. Construct it as you choose.

GUARDIAN O.S.

Pure matter. Built by a science man will not understand for a hundred thousand times the span of years he has already existed.

29 PAST GUARDIANS TO KIRK

and the others near him, wondering, listening.

KIRK

(awed)

And it’s possible to go back…and forward…in time…?

GUARDIAN

All time, all space. They meet in this brightness, the Vortex.

SPOCK

(very scientific)

Can you give us a demonstration? Is that possible?

The Guardian’s answer is oddly tinged with weariness and pleasure.

GUARDIAN

Time is weary for the craftsman who cannot demonstrate his craft. It would give me pleasure to show you the past.

KIRK

Can you show us the past of any world?

GUARDIAN

I can even show you the past of your own planet…Old Earth.

KIRK

(softly)

The past of Old Earth…please…

The pillar of light blazes and as Kirk turns to look, the CAMERA SHOOTS PAST HIM. In a moment there is movement in the light…a thickening…a roiling like oil…like quicksilver mixed with smoke…and a scene begins to take FORM IN THE VORTEX. (NOTE: this, and other scenes in Vortex will be MATTE INSERTS.)

30 CLOSE ON VORTEX—FEATURING MATTE INSERTS (STOCK)

A scene of primordial times; great saurians; a woolly mammoth; steaming prehistoric jungle; reality!

It FADES OUT to be replaced by:

A scene in the days of the Clipper ships; something typical of the period; reality!

It FADES OUT to be replaced by:

A scene of NYC STREET in the time of the Depression, 1930-32.

(NOTE: At Director’s discretion, INTERCUTS of the Earthmen marveling at this demonstration may be inserted.)

NOTE: The indicated sequence of stock shots is merely offered as a pattern. Any stock will suffice, reeled in sequence so that shot 34 occurs at just the time when the Vortex is showing Old Earth in the Depression, 1930s. Facilitation is at the discretion of Production.

31 PAST McCOY TO VORTEX

as he watches in his madness with as much rapt attention as Kirk and his patrol. But the cunning is there, the arched brow and the faintly smiling mouth. The animal has sensed an avenue of escape, as we HEAR KIRK SAY:

KIRK

Could we go back to Old Earth?

32 ANGLE ON GUARDIANS

SHOT FROM TILT rising up, almost Messianic in tone, something reverential as they speak about their religion—time.

GUARDIAN

Yes, but it is not wise. If passage back is effected, the voyager may add a new factor to the past, and thus change time, alter everything that happened from that point to the present…all through the universe.

33 SPOCK AND GUARDIAN PAST HIM

fascinated by the concepts, not the magic of it all.