Chapters (31)
- Publisher's Note
- Acknowledgments
- Epigraph
- Photo
- Epigraph
- Would You Buy a Used Galaxy From This Man?
- Introductory Essay
- Author's Note
- Perils of the "City"
- Endnotes
- Treatments
- March 21, 1966
- May 13, 1966
- Prologue
- Act One
- Act Two
- Act Three
- Act Four
- Epilogue
- Appendix
- Act One
- Afterwords
- WHO ARE THESE PEOPLE AND WHY ARE THEY IN THIS BOOK...
- Peter David
- D.C. Fontana
- David Gerrold
- DeForest Kelley
- Walter Koenig
- Leonard Nimoy
- Melinda M. Snodgrass
- George Takei
Set in a tall, narrow rocky crevice, it rises up, different to each who see it. A pillar of flame, a shaft of light, a roiling brightness of smoke, whatever wonder you care to make of it, the obvious aspects are light, height and insubstantiality. Construct it as you choose.
GUARDIAN O.S.
Pure matter. Built by a science man will not understand for a hundred thousand times the span of years he has already existed.
29 PAST GUARDIANS TO KIRK
and the others near him, wondering, listening.
KIRK
(awed)
And it’s possible to go back…and forward…in time…?
GUARDIAN
All time, all space. They meet in this brightness, the Vortex.
SPOCK
(very scientific)
Can you give us a demonstration? Is that possible?
The Guardian’s answer is oddly tinged with weariness and pleasure.
GUARDIAN
Time is weary for the craftsman who cannot demonstrate his craft. It would give me pleasure to show you the past.
KIRK
Can you show us the past of any world?
GUARDIAN
I can even show you the past of your own planet…Old Earth.
KIRK
(softly)
The past of Old Earth…please…
The pillar of light blazes and as Kirk turns to look, the CAMERA SHOOTS PAST HIM. In a moment there is movement in the light…a thickening…a roiling like oil…like quicksilver mixed with smoke…and a scene begins to take FORM IN THE VORTEX. (NOTE: this, and other scenes in Vortex will be MATTE INSERTS.)
30 CLOSE ON VORTEX—FEATURING MATTE INSERTS (STOCK)
A scene of primordial times; great saurians; a woolly mammoth; steaming prehistoric jungle; reality!
It FADES OUT to be replaced by:
A scene in the days of the Clipper ships; something typical of the period; reality!
It FADES OUT to be replaced by:
A scene of NYC STREET in the time of the Depression, 1930-32.
(NOTE: At Director’s discretion, INTERCUTS of the Earthmen marveling at this demonstration may be inserted.)
NOTE: The indicated sequence of stock shots is merely offered as a pattern. Any stock will suffice, reeled in sequence so that shot 34 occurs at just the time when the Vortex is showing Old Earth in the Depression, 1930s. Facilitation is at the discretion of Production.
31 PAST McCOY TO VORTEX
as he watches in his madness with as much rapt attention as Kirk and his patrol. But the cunning is there, the arched brow and the faintly smiling mouth. The animal has sensed an avenue of escape, as we HEAR KIRK SAY:
KIRK
Could we go back to Old Earth?
32 ANGLE ON GUARDIANS
SHOT FROM TILT rising up, almost Messianic in tone, something reverential as they speak about their religion—time.
GUARDIAN
Yes, but it is not wise. If passage back is effected, the voyager may add a new factor to the past, and thus change time, alter everything that happened from that point to the present…all through the universe.
33 SPOCK AND GUARDIAN PAST HIM
fascinated by the concepts, not the magic of it all.