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Contents (76)
  1. The Christmas Swap
  2. SANDY BARKER
  3. Prologue
  4. Twenty-two years ago
  5. Chapter 1
  6. Lucy
  7. Chapter 2
  8. Jules
  9. Chapter 3
  10. Chloe
  11. Chapter 4
  12. The May Ladies
  13. Chapter 5
  14. Lucy
  15. Chapter 6
  16. Jules
  17. Chapter 7
  18. Chloe
  19. Chapter 8
  20. Lucy
  21. Chapter 9
  22. Chloe
  23. Chapter 10
  24. Jules
  25. Chapter 11
  26. Lucy
  27. Chapter 12
  28. Chloe
  29. Chapter 13
  30. Jules
  31. Chapter 14
  32. Lucy
  33. Chapter 15
  34. Chloe
  35. Chapter 16
  36. Jules
  37. Chapter 17
  38. The May Ladies
  39. Chapter 18
  40. Chloe
  41. Chapter 19
  42. Jules
  43. Chapter 20
  44. Lucy
  45. Chapter 21
  46. Chloe
  47. Chapter 22
  48. Jules
  49. Chapter 23
  50. Lucy
  51. Chapter 24
  52. Chloe
  53. Chapter 25
  54. Lucy
  55. Chapter 26
  56. Jules
  57. Chapter 27
  58. Chloe
  59. Chapter 28
  60. Lucy
  61. Chapter 29
  62. Jules
  63. Chapter 30
  64. Lucy
  65. Chapter 31
  66. Jules
  67. Chapter 32
  68. Chloe
  69. Chapter 33
  70. Chapter 34
  71. The May Ladies
  72. Acknowledgements
  73. Keep Reading …
  74. About the Author
  75. Also by Sandy Barker
  76. About the Publisher

His mouth pulled into a shy smile. “Thank you, my love. Now I just need to convince someone to let me write and direct my own film and find the perfect actor for Richard Capel. Tom perhaps …” he mused.

Chloe had no idea which Tom he meant, but she was still pondering the idea of Archer writing and directing. She had no doubt he’d be brilliant, and surely some film executive somewhere would leap at the idea. He was Archer Frigging Tate, for crying out loud.

“Oh, and there is something else … about the film, I mean,” Archer said, his tone laced with mystery.

“What’s that?”

“Have you ever thought of producing?”

Chloe’s eyes widened. “A film?”

He laughed. “Yes, a film.”

“Uh, no. I can honestly say that the thought has never crossed my mind. I wouldn’t even know where to start.”

“Well, I think you’d be smashing at it, with all your experience in event management and PR. And you did say you were thinking about a career shift. This could be a wonderful segue into something new. I mean, producing is ultimately about logistics and building relationships—both of which I think you’d excel at—particularly with how quickly you got my mother on side. She is a bit of a tough nut, I’ll admit.” Understatement of the century, thought Chloe.

“But you should hardly take my word for it. I was thinking,” he continued excitedly, “that I could connect you with a good friend of mine, Fiona. She’s a producer and she can tell you everything you need to know—share her insights, that sort of thing. So, what do you say? Will you talk to Fi?” It had all tumbled out so quickly that Chloe was momentarily speechless.

“Uh, yeah, of course, that sounds amazing. Thank you.”

Being part of a film production! There was no way Chloe could ever have imagined how things would turn out when she’d planned a quiet Christmas in a tiny town in England. She snorted a little laugh at the thought, leant her head against the headrest and imagined herself on a film set, clipboard in hand and … producing—whatever that entailed.

Chloe’s contemplation was interrupted by the sound of Archer’s phone ringing. He gave a voice command to answer it and put it on speakerphone.

“Hello.”

“Archer, thank god I’ve caught you. Are you free? Do you have a moment?” asked a very posh English accent.

“George! Absolutely. We’re just on the M40, heading back to Penham. I’m with Chloe and you’re on speakerphone, so behave.” He glanced at Chloe. “George is my publicity manager,” he told her. She nodded.

“Right, well, I’ll keep this brief—and I want you to know that I’m on top of it. I’m already penning a press release as we speak—”

“George, what’s going on?”

“Well, if you’re asking, then I take it you haven’t been on Twitter in the past couple of hours?”

Chloe and Archer shared a look across the car and Chloe reached for her handbag to retrieve her phone. “Uh, no, we haven’t. Why?” Archer replied.