Ansgar took a sip of the Gaffel and contemplated his meal. The first mouthful of meat melted on his tongue. As it did so, he started to think again about that girl at work. The Ukrainian girl who worked with him in the restaurant kitchen, Ekatherina. He frowned and tried to eject her from his thoughts. Another mouthful of meat. As his teeth sank into the yielding flesh she returned again to his mind. Her pale young skin pulled taut over her voluptuous curves. Even in winter the temperature in the kitchen would soar with the humid heat from the ovens and hobs. Ekatherina’s pale skin would become flushed and moist with sweat, as if she were being slowly cooked herself. He tried to banish her and focus on his meal. But with each mouthful he thought of her buttocks. Her breasts. Her nipples. Her mouth. Most of all, her mouth. He continued eating. He frowned when he felt the tingle between his legs; the pressure against the material of his trousers. He sipped his beer and tried to compose himself. He ate some asparagus. He straightened the cruet set on the table. Another mouthful of meat. He hardened more. He felt sweaty moisture on his top lip. He thought of her pale flesh against the black T-shirts she wore. Again the swell of her breasts. Again, her mouth.

Ansgar’s face was now sheathed in a film of sweat. He fought and fought to banish the images that surged into his mind. Those twisted, delicious images in which the chaos he had regulated from his life reigned. Those sweet, sick, perverted ideas that he had forbidden himself. And she was part of them. She was there, always, in those scenarios of tender, succulent flesh and biting teeth. He chewed the meat, unable to swallow. Ansgar Hoeffer thought of the sensual feel of the food in his mouth and again of the girl at work. He shuddered as he ejaculated into his trousers.

3.

It took Fabel four hours to go through the bureaucracy of death: all the form-filling and debriefings that gave Aichinger’s senseless actions some kind of official shape. As he had so many times in his career, Fabel had stood at the heart of a human tragedy, burned by its raw emotional heat, only to go on to play his part in turning it into a cold, sterile statistic. But he would never forget Aichinger’s final expression of sad gratitude. And he doubted if he would ever understand it.

Fabel sat on the edge of the table in the Murder Commission squad room on the third floor of the Police Presidium, Hamburg’s police headquarters, drinking vending-machine coffee. Werner Meyer, Anna Wolff and Henk Hermann were all there: the team that, after fifteen years of leading, he would soon be leaving. Only Maria Klee was conspicuous by her absence. She had been on extended sick leave for the last month and a half: Fabel was by no means the only one who had been marked by the last three major investigations.