Back The Carnival Master Save as PDF

Fabel gave a cynical laugh. ‘I see … a little bit of bait to see if you can reel me in.’

‘I won’t pretend that I wouldn’t be disappointed if this case intrigued you enough to consider visiting Cologne and lending a hand. But I respect your decision. Nevertheless, I know that Herr Scholz would appreciate any comments or advice, Principal Chief Commissar Fabel.’

‘Okay …’ Fabel stood up, tucking the file under his arm. ‘I’ll take a look. But, as I said, that’s all I can promise.’

Van Heiden walked Fabel to the door. They shook hands.

‘We’re going to miss you,’ van Heiden said. ‘I have to tell you that I don’t see you as a computer salesman.’

Fabel smiled. ‘Educational software, Herr Criminal Director. For universities around the world.’

‘Whatever it is, you’re not cut out for it. You’re a policeman, Jan. Whether you accept it or not.’

CLOWN DIARY SECOND ENTRY. UNDATED.

image
image
image

CHAPTER TWO

17–19 January

1.

Taras Buslenko sat in a steam bath in the Lukyanovka district of Kiev. There was only one other bather in the huge, porcelain-tiled steam room: a fat business-type whose paunch hung over his towel. Buslenko looked down at his own body and wondered if he too would end up fat and out of shape. An aged body was something he could never imagine for himself. His physique was hard and sculpted. A weapon. He ran his fingers over his scars. The most recent was the one on his shoulder, puckered with stitches and curved around the ball of muscle as if someone had tried to slice open an apple. The most noticeable was the bullet wound, enlarged by removal surgery, to the left of his stomach. He gave a half-laugh. It was no wonder he could not imagine his body older: the chances of him living that long were remote.

The steam bath was vaulted and Turkish in style. The walls and the floor were finished in ornate tiles and the bath itself had a distinctly Ottoman feel to it. The only things that reminded Buslenko that he was in Ukraine were the large porcelain panels, each identical, that punctuated the patterned tiles. The panels showed a man sitting cross-legged, Turkish fashion, under a tree, his weapons hanging from its branches. The man smoked a pipe and played a bandura. It was a representation of Cossack Mamay, Ukraine’s national hero. Mamay was the legendary – probably mythical – protector of the Ukrainian people. The ultimate patriot.

The fat businessman on the far side gave a weary sigh, rose stiffly and left. After a few minutes three other men entered: a heavy-set middle-aged man and two younger men, both with the same hard, lean, muscled look as Buslenko. The two bodyguards sat near the door on the other side of the steam room. The older man sat down next to Buslenko.