Back The Burning Island
Chapters (31)
  1. COVER PAGE
  2. TEXT LOGO PAGE
  3. ABOUT THE BOOK
  4. EPIGRAPH
  5. MAP
  6. THE INDIAN
  7. MY FATHER IN THE LEAF LITTER
  8. THE MOONBIRD
  9. EMBARKATION
  10. THE WONDERS OF THE WUNDERKAMMER
  11. RODONDOINTO THE FOG
  12. SEABIRDS AND SEALS
  13. THE NIGHT, GIBBOUS MOON
  14. HUMMOCK AND THE BOTTLE-ACHE
  15. GRASS ELEGY
  16. THE CUTTER
  17. PRESERVATION
  18. ST ANTHONY’S FIRE
  19. THE BOWSPRIT ACHILLES
  20. THE SYMPLEGADES
  21. GUN CARRIAGE
  22. THE UNTHREADING OF THINGS
  23. CHRIST’S REDEEMING MISSION
  24. THE INDIAN RETURNS
  25. THE PINNACLE
  26. EMBERS
  27. FIFTEEN HUNDRED FATHOMS
  28. AUTHOR’S NOTE
  29. ACKNOWLEDGMENTS
  30. ALSO BY JOCK SERONG
  31. NEW MARKETING PAGE
Document

I put the mug down and reached into the small bag I had brought ashore. Down among the clothes I felt the leather satchel containing the ship’s papers, and I opened it, squinting to read the fading cursive records of the Howrah under the erratic light of the swaying lanterns.

The passenger list, the insurance papers.

The cargo manifest.

I traced a finger down the list: Tea Chests, Sundry and Velvet Cloth In Roll…

The music wreathed around me, so lovely. Intoxicating.

Another document came to hand. It had been folded and unfolded many times.

Shipped by the Grace of God, in Good Order and well-Conditioned…

I knew the next words before I saw them, drawn like clouds in billowing cursive: Cottage Upright Piano, Pleyel et Cie. According to the bill of lading it was to be delivered by the vessel Howrah to the Port of Hobart eight weeks ago, the Danger of the Seas solely excepted.

I stuffed the document back into the satchel and looked around guiltily to see whether I had been observed. But the audience was transfixed by the girl. She was neither Sydney nor Hobart, nor Aborigine nor Briton. In some way she was all of these things and in their combination something entirely new, wringing loveliness from a stolen piano, a dead family’s furniture.

She was singing now, paeans of love and loss, and her voice was unaccountably old with the music, sad and strange. In a corner, Connolly sat alone with his drink and wept. I looked at my father, sitting on an upturned cask with a mug between his feet. His face was tilted up as though the sun shone on it, and I saw hope there. In that moment I was aloft on his shoulders and he was beaming with pride at something I had done. It was him and me. Not bound by dependence, just him and me.

He was at peace that first night on Gun Carriage, unburdened of the painful secrets he’d carried so long. He was drinking: so there would be sickness and recriminations in the morning. But for once I had no energy to fight it. All this time, fighting him over what I thought was his welfare, I’d been denying him solace from the demons in his mind.

~

We were introduced to many people that night. Bearded men: that is the image I see now. Long, unkempt beards they would fiddle with as they talked. The men wore any old combination of clothing and skins. On their feet they wore strange sandals strapped in place by hide thongs. I saw no evidence that anybody cared for their appearance, only warmth and practicality.

I found myself caught up in a conversation with a man named Tucker, whom I instantly disliked. He was overbearing, physically close and malodorous. He said his wife was a Hindoo: there was no sign of her but I instantly worried for her. As if sensing my discomfort, the tyereelore took me in hand and made me busy in domestic ways, in unspoken assumption that I was someone’s wife.