Then she and Dante Spiro were out the van’s door.

They moved quickly to the front of the structure, where four SCO officers met them, led by Michelangelo. Unlike their commander, these men were not large, though they were made bulky because of their gear: body armor, breaching equipment, boots, helmets. The H&K submachine guns favored by the tac teams were unslung and ready to fire.

Spiro gestured and the men moved through the front door of the pensione and, as quietly as they could, up the stairs to the first floor.

The hallway was dim and hot, the air oppressive. The rooms might have air-conditioning but the hallways did not. Paintings of old Italy dotted the walls, most of them of Naples; a smoking volcano looming in the background. In one, though, Vesuvius was busily erupting as toga-clad citizens stared in horror, though a small dog seemed to be smiling. Every piece of artwork hung crookedly.

After a pause and a listen to the surveillance control van outside, Michelangelo gave hand signals and the SCO officers divided into two teams. One, crouching below the peephole, moved past the door of the suspect’s room and turned. The second team remained on the near side. Sachs and Spiro stopped ten feet short. What was that noise? Sachs wondered.

Screech, screech, screech…

Stefan could have told them in an instant.

Then Sachs heard a moan.

Of course. A couple was making love.

That was why the assault team, with the auditory surveillance system, had concluded that the occupants of the room were not armed. A gun might be nearby but it was highly unlikely either one was concealing a weapon on their person.

Michelangelo heard something through his headset—Sachs could tell from his cocked head. He stepped back to Spiro and spoke in Italian. The prosecutor said to Sachs, “The second team is behind our other target. He is up the street, in his car. They’ll move in when we do, coordinated.”

From the room the sounds of lovemaking had grown louder, the grunts more frequent. Michelangelo whispered something to Spiro, who translated his comment to Sachs. “He’s wondering if we should wait a moment. Just because…”

Sachs whispered, “No.”

Michelangelo grinned and returned to his men. He gestured toward the door, his hand making a slicing movement, like a priest blessing a communicant.

Instantly they went into action. One hefted a battering ram and swung it hard into the door near the knob. The flimsy wood gave way instantly. He stepped back, dropped the ram and unslung his machine gun as the others sped in, their weapons up, muzzles sweeping back and forth. Sachs hurried forward, Spiro behind her.

In the bed, in the center of the quaint room, a dark-haired Italian woman, no older than eighteen or nineteen, was squealing and frantically grabbing at bedclothes to cover herself. But it was a tug-of-war for the sheet and blanket with the man in bed with her. She was winning.

Pretty funny actually.