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Contents ( 93)
  1. PROLOGUE
  2. PART I
  3. 1
  4. SÉVERIN
  5. 2
  6. LAILA
  7. 3
  8. ZOFIA
  9. 4
  10. LAILA
  11. 5
  12. ENRIQUE
  13. 6
  14. SÉVERIN
  15. 7
  16. ZOFIA
  17. 8
  18. SÉVERIN
  19. 9
  20. ENRIQUE
  21. 10
  22. LAILA
  23. 11
  24. SÉVERIN
  25. PART II
  26. 12
  27. SÉVERIN
  28. 13
  29. LAILA
  30. 14
  31. ENRIQUE
  32. 15
  33. ZOFIA
  34. 16
  35. SÉVERIN
  36. 17
  37. ENRIQUE
  38. 18
  39. LAILA
  40. 19
  41. ZOFIA
  42. 20
  43. LAILA
  44. PART III
  45. 21
  46. SÉVERIN
  47. 22
  48. ENRIQUE
  49. 23
  50. LAILA
  51. 24
  52. SÉVERIN
  53. 25
  54. ZOFIA
  55. PART IV
  56. 26
  57. ENRIQUE
  58. 27
  59. LAILA
  60. 28
  61. SÉVERIN
  62. 29
  63. ZOFIA
  64. 30
  65. ENRIQUE
  66. PART V
  67. 31
  68. LAILA
  69. 32
  70. ZOFIA
  71. 33
  72. SÉVERIN
  73. 34
  74. LAILA
  75. 35
  76. ENRIQUE
  77. 36
  78. SÉVERIN
  79. 37
  80. SÉVERIN
  81. 38
  82. HYPNOS
  83. PART VI
  84. 39
  85. ZOFIA
  86. 40
  87. ENRIQUE
  88. 41
  89. SÉVERIN
  90. EPILOGUE
  91. ACKNOWLEDGMENTS
  92. ABOUT THE AUTHOR
  93. CONTENTS

He is here, fully mortal, to touch the eternal.

And nothing more.

“Sire,” says a voice at his elbow.

Séverin looks to his right. A light-skinned man wearing a veil offers him a candle. Another person steps before him, holding a large polished circle of bronze that acts as a mirror. In it, Séverin can see an ancient city in the midst of revels behind him. He sees himself and realizes he has been dressed in the raiments of a king. An ivory tunic and a finely dyed scarlet mantle of worsted wool and silk covers his body. A ribbon of thinly hammered gold twists about his brow. Someone has rubbed kohl around his eyes.

“She is beyond,” says the veiled man.

She.

As he moves to the platform, he sees a slender silhouette behind the candlelit drapes and realizes the platform is, in fact, a bed. There is a woman waiting for him there, and he understands that sometimes she is a priestess and sometimes she is a goddess … but always she is out of reach.

Slowly, he parts the silks and sees her reclining against rich cloths and pillows embroidered with silver thread. There are gold coins strung through her hair. She wears a shift of thinnest linen dyed a rich red. Her hands are adorned with henna, as if she were a bride, and he knows that tonight, she is one.

“Majnun,” she says.

Séverin remembers himself. All of his selves. He remembers staring down at Laila’s lifeless body, their friends hollowed out by grief beside them.

“Laila,” he says, and her name melts like a prayer on his tongue. “What’s happened?”

A shadow crosses her face, but then it vanishes. Instead, she moves a little, patting the place beside her.

“Come to me,” she says.

He does. He is almost afraid to touch her, terrified that she’ll dissolve beneath his fingertips. But he is spared from decision when Laila reaches for his hand. Her skin is warm. When he looks into her face, she smiles and it is the smile he has dreamt of many times.

In this moment, Séverin knows peace.

“All will be well,” says Laila. “They are safe, Séverin. No one will hurt them. No one can touch us here.”

This certainty moves through him, and though Séverin had imagined any failure would sting, this time he feels it like a pressure easing off his chest. He is not resigned to mortality, but oddly relieved by it, for in this moment, he knows he has done all he could, and even in failing, he has succeeded in keeping the people he loves safe.

Séverin blinks and remembers his losses. He thinks of Tristan’s gray eyes, the orange fragrance of his mother’s hair, the hard set of Delphine Desrosiers’s mouth. He once thought that all that pain must be in service of something greater, but now he knows that it was never for him to understand. And when he looks at the fathomless night sky, he feels a serene contentedness in not knowing.