Back The Bone Bed Save as PDF
Chapters (48)
  1. also by patricia cornwell
  2. title page
  3. copyright
  4. dedication
  5. contents
  6. prologue
  7. one
  8. two
  9. three
  10. four
  11. five
  12. six
  13. seven
  14. eight
  15. nine
  16. ten
  17. eleven
  18. twelve
  19. thirteen
  20. fourteen
  21. fifteen
  22. sixteen
  23. seventeen
  24. eighteen
  25. nineteen
  26. twenty
  27. twenty-one
  28. twenty-two
  29. twenty-three
  30. twenty-four
  31. twenty-five
  32. twenty-six
  33. twenty-seven
  34. twenty-eight
  35. twenty-nine
  36. thirty
  37. thirty-one
  38. thirty-two
  39. thirty-three
  40. thirty-four
  41. thirty-five
  42. thirty-six
  43. thirty-seven
  44. thirty-eight
  45. thirty-nine
  46. forty
  47. two nights later
  48. credits

He begins typing into fields of a software package that programs a Radio Frequency Identification, or RFID, chip embedded in a smart label. Checking scene notes for the GPS coordinates, I give those to him, too, as Toby reappears, pushing an empty gurney in a hurry and loudly shoving open the door that leads out of the autopsy floor and into the bay. A laser printer sounds, and Ron slides out a yellow silicone bracelet and the smart label embedded with the information I just gave him about our most recently accessioned case.

“What have you been hearing?” I question him casually, as security cameras pick up Toby rolling the gurney toward the white transport van.

“Well, Toby said we have a Jane Doe coming in, that it could be the lady who’s been missing, the one you’re going to court about,” Ron says. “I guess you also were filmed by some TV crews while you were out there.”

“What makes you think it was TV crews, as in more than one?” I ask while I watch Toby from different angles on split screens.

He parks the gurney at the back of the van, points the key to unlock it, and I notice his lips are moving. It occurs to me he’s probably listening to his iPod as usual and singing along. But that’s not right, either. He appears to be talking emphatically. In fact, he looks agitated, as if he’s arguing with someone.

“From what I saw, you were in different locations, on different boats, at different times,” Ron describes. “The Coast Guard, the fireboat with a bunch of people from the aquarium. Some of it was filmed from the air. I do know that because you could hear the chopper in the background. But I’m not sure about all of it.”

Toby is on the phone. He’s wearing in-ear headphones that are connected to his iPhone, which is in a back pocket of his cargo pants. Maybe he’s fighting with his girlfriend again, and he shouldn’t be fighting with anyone or having any sort of personal conversation, period. He should be paying attention to his job, to his handling of evidence. It’s one of my most common complaints that staff devote just as much time to their personal lives as they do to their work, as if it’s perfectly fine to get paid for fighting with a partner or shopping online or chatting on Facebook or Twitter.

“You were doing something with what’s for sure the biggest turtle I ever saw,” Ron continues, and I’m barely listening. “Then you’re in the water getting her out. An old lady, it looks like, tied up with yellow rope.”