Back The Bone Bed Save as PDF
Chapters (48)
  1. also by patricia cornwell
  2. title page
  3. copyright
  4. dedication
  5. contents
  6. prologue
  7. one
  8. two
  9. three
  10. four
  11. five
  12. six
  13. seven
  14. eight
  15. nine
  16. ten
  17. eleven
  18. twelve
  19. thirteen
  20. fourteen
  21. fifteen
  22. sixteen
  23. seventeen
  24. eighteen
  25. nineteen
  26. twenty
  27. twenty-one
  28. twenty-two
  29. twenty-three
  30. twenty-four
  31. twenty-five
  32. twenty-six
  33. twenty-seven
  34. twenty-eight
  35. twenty-nine
  36. thirty
  37. thirty-one
  38. thirty-two
  39. thirty-three
  40. thirty-four
  41. thirty-five
  42. thirty-six
  43. thirty-seven
  44. thirty-eight
  45. thirty-nine
  46. forty
  47. two nights later
  48. credits

I do anything I can to keep the fender from pulling on her, and it bobs in front of us like a fat yellow fish in lazy pursuit, and then we reach the Stokes basket rocking against the side of the boat and I maneuver both of us around, facing the men. I tell Marino to hold his line steady, to keep the body close to the surface, and I ask Sullivan and Kletty to slacken the ropes attached to the basket’s harness and the back of my drysuit.

“I need to get the basket under her. She’s got to be on the surface as much as we can manage so I can push the basket down and slide it under her.” I spit out water as waves slap my face and rush inside my mouth and nose. “But first we’ve got to get the conch pot up, got to free her from the ropes to prevent any further damage, and so I can manipulate her.”

Taking a deep breath, I pull my mask down and duck back under the surface, pushing my way beneath the body and grabbing for the line that connects her to the weighty ballast that dangles at the bottom of the bay. A dark jacket and blouse blossom up from her waist, and her gray skirt billows out around her hips, revealing panties and bare legs that are pale and thin, moving as the water moves, fanning and swaying. The yellow line around her ankles is wrapped multiple times and drops straight down, vanishing in water that gets dark and impenetrable.

I tug the rope and feel what is attached to it move freely, which isn’t an accurate indication of how heavy it is, because mass doesn’t change underwater, but weight does, due to buoyancy. I’m able to run the rope over my shoulder and swim with it to the surface, where I take in gulps of air. I swim to the Stokes basket, where Marino reaches down to assist, his big hand outstretched as he bends over the boat rail. Kletty holds the buoy line while Marino secures the one I just gave him, and I turn her over facedown in the water and move the basket so that it and the body are side by side.

Struggling with waves pushing and the current pulling, I roll her over into the basket so that she is on her back. Her shriveled face stares blindly through cloudy eyes that are dry and shrunken by dehydration.

“Hold everything tight!” I slide the dive knife out of the rubber sheath strapped around my lower left leg. “I’m cutting her loose. The buoy line first, then the other. Hold tight!”

I saw through both lines a good twelve inches above the knots at her neck and ankles, and I zip her up, double-pouching her.