Chapters (48)
- also by patricia cornwell
- title page
- copyright
- dedication
- contents
- prologue
- one
- two
- three
- four
- five
- six
- seven
- eight
- nine
- ten
- eleven
- twelve
- thirteen
- fourteen
- fifteen
- sixteen
- seventeen
- eighteen
- nineteen
- twenty
- twenty-one
- twenty-two
- twenty-three
- twenty-four
- twenty-five
- twenty-six
- twenty-seven
- twenty-eight
- twenty-nine
- thirty
- thirty-one
- thirty-two
- thirty-three
- thirty-four
- thirty-five
- thirty-six
- thirty-seven
- thirty-eight
- thirty-nine
- forty
- two nights later
- credits
We’d be forced to call in a dive team or to put on scuba gear ourselves and search the bottom of the bay, finding what we could, maybe nothing, until whatever was left surfaced and washed ashore. The fact is she might never have been found. I can only imagine how such a grisly scenario would play out in court, especially if it were caught on film by a television crew hovering over us in a helicopter. Such a scenario is unthinkable.
A jury would be repulsed, as if what happened was due to callous carelessness or complete incompetence on our part. I’m not sure anybody would understand that some diabolical individual has all but assured that this dead woman will not be recovered intact or possibly ever. Some malignant murderer wanted us to get a close look at his handiwork before it vanished right before our eyes, maybe wanted to make sure we never know who she is, and we might not if we don’t safely get her body out of the water.
What to do? My thoughts race through different possibilities, but there really is only one that seems workable, and nothing we try is foolproof. We need to be patient and careful, and we need to be lucky.
“What if we cut the line around her neck?” Kletty suggests, and I notice that all of them are in white Tyvek, and what a strange sight that must be from the air. “Cut her free from the fender so nothing’s pulling on her neck?” he suggests.
“I can’t,” I answer. “I can’t guarantee I could hold her up. I’m afraid whatever’s attached to the line around her ankles will pull her down and out of reach. We’ve got to somehow secure the line that’s tied around her neck without doing damage to her.” I say this to Marino as I tread against the current.
“You and I are going to have to ease her to the boat, do it perfectly in sync, and hope she holds together,” I continue. “I’ll move her close enough so you can hook the line with the gaff and get hold of it, but don’t pull it. The point is to pull me, not her, and I’ll swim her in, keeping the line around her neck as slack as I can. Get the basket rigged and down, and gently pull me, not her,” I repeat, and I feel tension increase on the line between my shoulder blades.