Back The Bone Bed Save as PDF
Chapters (48)
  1. also by patricia cornwell
  2. title page
  3. copyright
  4. dedication
  5. contents
  6. prologue
  7. one
  8. two
  9. three
  10. four
  11. five
  12. six
  13. seven
  14. eight
  15. nine
  16. ten
  17. eleven
  18. twelve
  19. thirteen
  20. fourteen
  21. fifteen
  22. sixteen
  23. seventeen
  24. eighteen
  25. nineteen
  26. twenty
  27. twenty-one
  28. twenty-two
  29. twenty-three
  30. twenty-four
  31. twenty-five
  32. twenty-six
  33. twenty-seven
  34. twenty-eight
  35. twenty-nine
  36. thirty
  37. thirty-one
  38. thirty-two
  39. thirty-three
  40. thirty-four
  41. thirty-five
  42. thirty-six
  43. thirty-seven
  44. thirty-eight
  45. thirty-nine
  46. forty
  47. two nights later
  48. credits

Twat was the crude word Marino used while we were driving to the Coast Guard base, and whatever foolishness he got involved in, it’s simply not possible he recently was tweeting Pretty Please, or whatever name Peggy Lynn Stanton went by on the Internet. Marino may have been tweeting someone with that handle days and weeks ago, but it wasn’t this lady on the autopsy table. She was dead long before he began tweeting whoever he assumed she was, dead before he even got his Twitter account, possibly dead and in cold storage since the spring, and my mind sorts through information nonstop, my blood pounding.

My thoughts race to connections and possibilities, my pulse rushing hard. I try to distract myself from what I’m feeling as Luke touches me, as he brushes against me and I don’t stop it.

“I really didn’t mean to step over you,” he says, now that Ned is gone. “I sincerely apologize. I thought I was helping.”

I incise the brownish marks on the upper right arm to see if they are well defined beneath the epidermis. I look for staining left by hemorrhage that extends into the dermis or the deeper layer of the skin, and it does.

“The question, of course, is when she might have gotten these bruises.” I grab the lamp by its handle, shining it down her arms to the shriveled tips of her fingers, with their chipped polished nails that are clipped to the quick.

I check the undersides of her wrists and the tops of her hands.

“It’s very difficult, if not impossible, to age these contusions, because of her condition,” I add.

The light paints over the leathery upper chest, the wasted breasts, illuminating the wrinkled abdomen.

“But depending on the degree of force used by the person gripping her, she could have been bruised through layers of clothing,” I answer Luke’s question.

“Important to know if she was clothed or not, it seems to me,” he says. “I realize this is more Benton’s department. I’m not a profiler.”

“The FBI can be very persuasive.” I illuminate her hips, her upper thighs. “And I’m sure they were all the more convincing to you because Benton showed up with them. But we don’t work for law enforcement, Luke.”

“Of course not.”

“It’s our duty to objectively answer questions raised by the evidence.” I direct the light at her knees. “And we must vigorously adhere to chain of custody, meaning we don’t open up our evidence room for the FBI or allow them to whip us into a frenzy of activity, no matter their reason or sense of urgency.”

“He’s your husband, so I assumed—”

“Assumed that our being married changes how he does his job or how I do mine?”

“I apologize,” Luke says again. “But after his annoyance when we were in Vienna . . .”