Back The Body on the Train Save as PDF
Chapters (71)
  1. Title Page
  2. Dedication
  3. Acknowledgments
  4. Prologue
  5. Prologue 2
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Chapter 60
  66. Chapter 61
  67. Chapter 62
  68. Chapter 63
  69. Author’s Note
  70. Also available by Frances Brody
  71. Author Biography

“Don’t be. I want to include your rhubarb shed photograph.”

“Really?” He leaned forward as if waiting for me to pin a medal on his chest. “I’d love that.”

“I’ll need the negative.”

This was going too far. If I didn’t interest a magazine in this article, that was becoming both real and surreal, I should have to publish it myself and bear the cost. If I didn’t solve this case for Scotland Yard, I could see myself having to wave a wand over my bank balance.

“When do you want the photograph?”

“No great rush. We can meet when it’s convenient. This is a busy time for you.”

“Not now we’re into March. Things are quietening down.”

If this was quietening down, I’d hate to see the place when they were busy.

He called to the woman at the table. “Mam, are you all right without me?”

I offered to get stuck in alongside them, but his mother called back that they were nearly done.

“Mam, this is Kate Shackleton, the photographer I told you about.”

“Well as long as she doesn’t want to take a snap of me she’s welcome.”

He and I sat on stools at the side of the shed. We chatted about the photographs I had taken, and he suggested other views that I might include.

I turned the conversation.

“Josh, what’s all this business about a body on the rhubarb express?”

“It’s bizarre.” He waved at the boxes of rhubarb. “Rhubarb is delicate, perishable. A grower wouldn’t risk damaging his crop by adding a sack of potatoes, much less a body.” He listened for a moment, heard the noise of an engine, and jumped up. “That’s the railway van. Give me a minute.”

Men wheeled the carts to the door, and when Josh saw he wasn’t needed, he came back.

“What you were asking me about, that body, it just wouldn’t happen. It’s got to be a fairy story. Some cockney porter knocked off his worst enemy and pretended he fell out of a rhubarb truck.”

He explained how the vans would now take the rhubarb to Ardsley station. The produce would be booked in and packed on railway trucks. The trucks would be shunted into the siding at Ardsley station—trucks from Ardsley, Carlton, Stanley, Morley and all the other places in the district where rhubarb was grown. The man on duty would telephone the full list of rhubarb van numbers to Leeds Central, and the Leeds rhubarb trucks would start from there, behind the engine that would continue on to Ardsley to link up with the rest. By quarter to nine, all the trucks would be marshalled and ready to be coupled to the engine.

This must be information that Alec Taylor had recorded in his missing notebook.