Back The Body on the Train Save as PDF
Chapters (71)
  1. Title Page
  2. Dedication
  3. Acknowledgments
  4. Prologue
  5. Prologue 2
  6. Chapter 1
  7. Chapter 2
  8. Chapter 3
  9. Chapter 4
  10. Chapter 5
  11. Chapter 6
  12. Chapter 7
  13. Chapter 8
  14. Chapter 9
  15. Chapter 10
  16. Chapter 11
  17. Chapter 12
  18. Chapter 13
  19. Chapter 14
  20. Chapter 15
  21. Chapter 16
  22. Chapter 17
  23. Chapter 18
  24. Chapter 19
  25. Chapter 20
  26. Chapter 21
  27. Chapter 22
  28. Chapter 23
  29. Chapter 24
  30. Chapter 25
  31. Chapter 26
  32. Chapter 27
  33. Chapter 28
  34. Chapter 29
  35. Chapter 30
  36. Chapter 31
  37. Chapter 32
  38. Chapter 33
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55
  61. Chapter 56
  62. Chapter 57
  63. Chapter 58
  64. Chapter 59
  65. Chapter 60
  66. Chapter 61
  67. Chapter 62
  68. Chapter 63
  69. Author’s Note
  70. Also available by Frances Brody
  71. Author Biography

“They would, but bricklayers are building a wall around the plate. You’ll see that heap of bricks—that will become the wall. When the plate descends, it takes the wall with it. That provides the surface for the shaft where lifts will take men down into the mine, eventually.”

“What a hard job. You must be glad to be on the surface.”

“I am that, missus. I’d hate to be in the bowels of the earth. This pit’s being sunk so deep that we’ll be fighting Australian miners for the coal.”

“Thanks for the explanation. I’ll take a look.”

“Aye, you do that, and listen out for the cries of the orphans and waifs and strays.”

“What do you mean?”

“The Bluebell Children’s Home stood nearby for a century and more. It was a lucky place for some. They’d be sorry to see it come to this.”

“What does this have to do with the home?”

Gertrude waved for me to join her.

He turned back to his horses. “Her ladyship summons.”

He had not answered me. “When was the home demolished?”

“The minute the young uns left, and just in time for the contractors to gather up the stone blocks and bricks from the house to use again for the shaft wall.”

“The subsidence didn’t make any difference then, to the sinking of a new pit?”

“Don’t know nowt about subsidence, not round here.” He turned away, to talk to two men who were tipping buckets of earth and debris onto a cart.

I noticed a small, blood-red toy, a wooden engine, lying by a rock. It seemed such an incongruous juxtaposition that I took a photograph.

I wondered where it came from, and whether one of the men might want to take it home. The farrier I had spoken to earlier was now waiting with the horse and cart.

I went across. “Look, here’s a little engine. Do you have a boy who might like it?”

He took it from me, holding it this way and that. “Whoever made it did a good job, and painted it too.”

This might be the engine that Mr. Arkwright had made for Alec Taylor.

My guide pointed to a space between two boulders, where a small heap of items had been set aside. There was a child’s shoe, a whip and top, a toy car and a doll with one arm.

The sight of these items made me feel uneasy. “What did happen to the children?”

I had heard something from Gertrude, and from Mrs. Arkwright, but this man also seemed in the know.

He glanced across at Gertrude who was speaking to the engineer. “Perhaps the Pied Piper came and led them into the slag heaps. They were gone before the demolition men came. Before you knew it, the ground was cleared.”

“But where did they go, and so quickly that their toys were left behind?”