Chapters (39)
- The Blue Blazes
- Part One
- Prologue
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Part Two
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Part Three
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Acknowledgments
- About the Author
- Imprint
Some say that the Underworld is the Hell of all the myths: that it is a prison. Some say that God built it, though then others ask, why would God build such a thing? How mad must God be? The easy reply is, of course: quite mad, indeed. God’s actions throughout history, if you believe in him and the purity of the Good Book, have been the actions of a psychopath. Just the same, it’s difficult to reconcile the images of Hell and the ways of a Christian God with the existence and function of the Great Below – the Great Below has very few dead, after all. Some shufflers, some ghosts. But most of what lurks in the dark are not creatures of spirit; these are no spectral entities. They are flesh and blood. Gray flesh and black blood in the case of the goblins. Stone and sap in the troglodytes, slick scale and toxic slurry in the Nagas. I have heard one theory that works toward bridging the gap, suggesting that the gobbos – and perhaps the other denizens of the deep – are reincarnated sinners. Die as a sinner, be reborn as a grub in the subterrestrial prison below our feet. If that’s true, if the Underworld really is a kind of jail, then it further explains why so many of the creatures just want to be free of it – at any cost.
– from the Journals of John Atticus Oakes, Cartographer of the Great Below
Werth sits. At a kitchen table at the Boss’s house – one of two kitchens, it turns out. This one has lots of white tile and dark wood, big stainless steel appliances. Two ovens. Pots hanging from a pot rack, occasionally drifting into one another – clunk, clank, clink. Doesn’t look like anybody ever uses this kitchen – though the central butcher block has square-shaped stains on it. Maybe that’s where they put the takeout containers.
He wants to lie down. Take a long nap. A long nap in a deep grave, with roots and worms and cold earth to keep him comfortable for the rest of eternity.
It’s not just the pain – which by now has fought past the Vicodin like a distemper-sick dog chewing through a door.
But that’s not what’s really bothering him.
Haversham said, “The Boss is sick.”
Master of the Obvious over here. But then Haversham said, “Very sick,” and gave a gray-faced look, the look of the tomb, a look of fear. Werth asked how long the Boss had left. All Haversham would say was, “He’s upstairs.”
And then: “Things have changed.”
Now Werth sits. And waits. Not sure what the hell comes next. Did they call Mookie? Is this whole Nora Pearl thing going to fall by the wayside? On the one hand, that’d be a good thing. But Werth wants to put that brat six feet deep.