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Chapters (80)
  1. Cover
  2. BOOKS BY DAVID HOFMEYR
  3. Dedication
  4. Epigraph
  5. Sol
  6. 1
  7. 2
  8. 3
  9. 4
  10. 5
  11. Lūna
  12. 6
  13. 7
  14. 8
  15. 9
  16. 10
  17. 11
  18. 12
  19. 13
  20. 14
  21. 15
  22. 16
  23. THE BOOK OF SEVEN
  24. 17
  25. 18
  26. Ares
  27. 19
  28. 20
  29. 21
  30. 22
  31. 23
  32. 24
  33. 25
  34. 26
  35. 27
  36. 28
  37. 29
  38. 30
  39. 31
  40. Tir
  41. 32
  42. 33
  43. 34
  44. 35
  45. 36
  46. 37
  47. 38
  48. THE SEVENTH
  49. 39
  50. 40
  51. Jöve
  52. 41
  53. 42
  54. 43
  55. 44
  56. 45
  57. 46
  58. FALLING
  59. 47
  60. 48
  61. Venetia
  62. 49
  63. 50
  64. 51
  65. 52
  66. 53
  67. 54
  68. 55
  69. Kronos
  70. 56
  71. 57
  72. 58
  73. 59
  74. Sol
  75. 60
  76. 61
  77. ACKNOWLEDGMENTS
  78. Excerpt from Stone Rider
  79. ABOUT THE AUTHOR
  80. What’s next onyour reading list?

I shoulder through the crowd and arrive at the south-facing side of the building. I pass a gate and walk down a stone path through a wild garden until the crowds begin to thin. When I’m certain no one is looking, I scramble over an iron fence and drop onto the other side. Moving at a half jog, I reach the building and put my hand against the structure. I feel its vibrations—the crowds inside, chanting.

The wall is ancient and, I’m certain, at least half a metre thick.

Atoms. That’s all we are. Every living thing. Every solid object.

Dancing neurons.

I take a step back. I breathe. I empty my mind. I don’t think about anything but my breathing. I let myself sink into relaxation.

And I walk through the wall.

—

Long ago, with the Old Man and Frankie, I stood in line and we walked through the towering front doors of Notre-Dame and stared up at the Rose Window. I recall being quickly bored and begging them to leave. I was seven. But I can still remember the echoed stillness of the cathedral. Rows and rows of pews and a suffocating fragrance of incense, candlewax and polish. None of that is here now.

The first thing I notice is an enormous sand-filled pit surrounded by a high mesh-wire fence, where rows of pews had once stood. Next, tiered seats, rising to the stained-glass windows and holding a heaving, volatile crowd. The last thing I notice is the smell. A stink of body odour, mixed in with blood.

I’ve emerged under one of the seating stands with a clear view through legs to the pit and the two fighters squaring off. One of them is a monster of a man, stripped to the waist and built like a circus strongman—thick-necked, barrel-chested, arms and shoulders like legs of ham. His eyes are black and soulless. Dead eyes.

A Reaper. No question. Shifted into its human form.

The other fighter wears a hood that hides his face in shadow, but I can see the twin gleams of his dark eyes. And I know, in a heartbeat, it’s him.

Malik.

He cocks his head to the side, as if listening to a faraway sound.

He knows I’m here.

“Can you feel it building inside?” a voice booms in English—clearly for the benefit of all the foreigners packed into the place—and a cheer goes up.