Chapters (80)
- Cover
- BOOKS BY DAVID HOFMEYR
- Dedication
- Epigraph
- Sol
- 1
- 2
- 3
- 4
- 5
- Lūna
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- THE BOOK OF SEVEN
- 17
- 18
- Ares
- 19
- 20
- 21
- 22
- 23
- 24
- 25
- 26
- 27
- 28
- 29
- 30
- 31
- Tir
- 32
- 33
- 34
- 35
- 36
- 37
- 38
- THE SEVENTH
- 39
- 40
- Jöve
- 41
- 42
- 43
- 44
- 45
- 46
- FALLING
- 47
- 48
- Venetia
- 49
- 50
- 51
- 52
- 53
- 54
- 55
- Kronos
- 56
- 57
- 58
- 59
- Sol
- 60
- 61
- ACKNOWLEDGMENTS
- Excerpt from Stone Rider
- ABOUT THE AUTHOR
- What’s next onyour reading list?
I shoulder through the crowd and arrive at the south-facing side of the building. I pass a gate and walk down a stone path through a wild garden until the crowds begin to thin. When I’m certain no one is looking, I scramble over an iron fence and drop onto the other side. Moving at a half jog, I reach the building and put my hand against the structure. I feel its vibrations—the crowds inside, chanting.
The wall is ancient and, I’m certain, at least half a metre thick.
Atoms. That’s all we are. Every living thing. Every solid object.
Dancing neurons.
I take a step back. I breathe. I empty my mind. I don’t think about anything but my breathing. I let myself sink into relaxation.
And I walk through the wall.
—
Long ago, with the Old Man and Frankie, I stood in line and we walked through the towering front doors of Notre-Dame and stared up at the Rose Window. I recall being quickly bored and begging them to leave. I was seven. But I can still remember the echoed stillness of the cathedral. Rows and rows of pews and a suffocating fragrance of incense, candlewax and polish. None of that is here now.
The first thing I notice is an enormous sand-filled pit surrounded by a high mesh-wire fence, where rows of pews had once stood. Next, tiered seats, rising to the stained-glass windows and holding a heaving, volatile crowd. The last thing I notice is the smell. A stink of body odour, mixed in with blood.
I’ve emerged under one of the seating stands with a clear view through legs to the pit and the two fighters squaring off. One of them is a monster of a man, stripped to the waist and built like a circus strongman—thick-necked, barrel-chested, arms and shoulders like legs of ham. His eyes are black and soulless. Dead eyes.
A Reaper. No question. Shifted into its human form.
The other fighter wears a hood that hides his face in shadow, but I can see the twin gleams of his dark eyes. And I know, in a heartbeat, it’s him.
Malik.
He cocks his head to the side, as if listening to a faraway sound.
He knows I’m here.
“Can you feel it building inside?” a voice booms in English—clearly for the benefit of all the foreigners packed into the place—and a cheer goes up.