Back Tales of Men and Ghosts
Chapters (13)
  1. Cover
  2. Title
  3. About Edith Wharton
  4. THE BOLTED DOOR
  5. HIS FATHER’S SON
  6. THE DAUNT DIANA
  7. THE DEBT
  8. FULL CIRCLE
  9. THE LEGEND
  10. THE EYES
  11. THE BLOND BEAST
  12. AFTERWARD
  13. THE LETTERS

Vyse made no comment on the change, and Betton was reduced to wondering whether his imperturbable composure were the mask of complete indifference or of a watchful jealousy. The latter view being more agreeable to his employer’s self-esteem, the next step was to conclude that Vyse had not forgotten the episode of “The Lifted Lamp,” and would naturally take a vindictive joy in any unfavourable judgments passed on his rival’s work. This did not simplify the situation, for there was no denying that unfavourable criticisms preponderated in Betton’s correspondence. “Abundance” was neither meeting with the unrestricted welcome of “Diadems and Faggots,” nor enjoying the alternative of an animated controversy: it was simply found dull, and its readers said so in language not too tactfully tempered by regretful comparisons with its predecessor. To withhold unfavourable comments from Vyse was, therefore, to make it appear that correspondence about the book had died out; and its author, mindful of his unguarded predictions, found this even more embarrassing. The simplest solution would be to get rid of Vyse; and to this end Betton began to address his energies.

One evening, finding himself unexpectedly disengaged, he asked Vyse to dine; it had occurred to him that, in the course of an after-dinner chat, he might delicately hint his feeling that the work he had offered his friend was unworthy so accomplished a hand.

Vyse surprised him by a momentary hesitation. “I may not have time to dress.”

Betton stared. “What’s the odds? We’ll dine here—and as late as you like.”

Vyse thanked him, and appeared, punctually at eight, in all the shabbiness of his daily wear. He looked paler and more shyly truculent than usual, and Betton, from the height of his florid stature, said to himself, with the sudden professional instinct for “type”: “He might be an agent of something—a chap who carries deadly secrets.”

Vyse, it was to appear, did carry a deadly secret; but one less perilous to society than to himself. He was simply poor—inexcusably, irremediably poor. Everything failed him, had always failed him: whatever he put his hand to went to bits.

This was the confession that, reluctantly, yet with a kind of white-lipped bravado, he flung at Betton in answer to the latter’s tentative suggestion that, really, the letter-answering job wasn’t worth bothering him with—a thing that any type-writer could do.

“If you mean you’re paying me more than it’s worth, I’ll take less,” Vyse rushed out after a pause.

“Oh, my dear fellow—” Betton protested, flushing.

“What do you mean, then? Don’t I answer the letters as you want them answered?”

Betton anxiously stroked his silken ankle. “You do it beautifully, too beautifully. I mean what I say: the work’s not worthy of you. I’m ashamed to ask you—”