He told me once how he’d come to Rome. He was originaire of Mystic, Connecticut—and he wanted to get as far away from it as possible. Rome seemed as far as anything on the same planet could be; and after he’d worried his way through Harvard—with shifts and shavings that you and I can’t imagine—he contrived to get sent to Switzerland as tutor to a chap who’d failed in his examinations. With only the Alps between, he wasn’t likely to turn back; and he got another fellow to take his pupil home, and struck out on foot for the seven hills.

I’m telling you these early details merely to give you a notion of the man’s idealism. There was a cool persistency and a headlong courage in his dash for Rome that one wouldn’t have guessed in the little pottering chap we used to know. Once on the spot, he got more tutoring, managed to make himself a name for coaxing balky youths to take their fences, and was finally able to take up the more congenial task of expounding “the antiquities” to cultured travellers. I call it more congenial—but how it must have seared his soul! Fancy unveiling the sacred scars of Time to ladies who murmur: “Was this actually the spot—?” while they absently feel for their hatpins! He used to say that nothing kept him at it but the exquisite thought of accumulating the lire for his collection. For the Neave collection, my dear fellow, began early, began almost with his Roman life, began in a series of little nameless odds and ends, broken trinkets, torn embroideries, the amputated extremities of maimed marbles: things that even the rag-picker had pitched away when he sifted his haul. But they weren’t nameless or meaningless to Neave; his strength lay in his instinct for identifying, putting together, seeing significant relations. He was a regular Cuvier of bric-a-brac. And during those early years, when he had time to brood over trifles and note imperceptible differences, he gradually sharpened his instinct, and made it into the delicate and redoubtable instrument it is. Before he had a thousand francs’ worth of anticaglie to his name he began to be known as an expert, and the big dealers were glad to consult him. But we’re getting no nearer the Daunt Diana...

Well, some fifteen years ago, in London, I ran across Neave at Christie’s. He was the same little man we’d known, effaced, bleached, indistinct, like a poor “impression”—as unnoticeable as one of his own early finds, yet, like them, with a quality, if one had an eye for it. He told me he still lived in Rome, and had contrived, by fierce self-denial, to get a few decent bits together—“piecemeal, little by little, with fasting and prayer; and I mean the fasting literally!” he said.

He had run over to London for his annual “look-round”—I fancy one or another of the big collectors usually paid his journey—and when we met he was on his way to see the Daunt collection. You know old Daunt was a surly brute, and the things weren’t easily seen; but he had heard Neave was in London, and had sent—yes, actually sent!—for him to come and give his opinion on a few bits, including the Diana. The little man bore himself discreetly, but you can imagine his pride. In his exultation he asked me to come with him—“Oh, I’ve the grandes et petites entrees, my dear fellow: I’ve made my conditions—” and so it happened that I saw the first meeting between Humphrey Neave and his fate.