But that had happened ten years ago; and Venn, poor fellow, was long since dead of his dragging ailment. His old father was dead, too, the house in Stuyvesant Square had been turned into a boarding-house, and the shifting life of New York had passed its rapid sponge over every trace of their obscure little history. Even the optimistic McCarren seemed to acknowledge the hopelessness of seeking for proof in that direction.

“And there’s the third door slammed in our faces.” He shut his note-book, and throwing back his head, rested his bright inquisitive eyes on Granice’s furrowed face.

“Look here, Mr. Granice—you see the weak spot, don’t you?”

The other made a despairing motion. “I see so many!”

“Yes: but the one that weakens all the others. Why the deuce do you want this thing known? Why do you want to put your head into the noose?”

Granice looked at him hopelessly, trying to take the measure of his quick light irreverent mind. No one so full of a cheerful animal life would believe in the craving for death as a sufficient motive; and Granice racked his brain for one more convincing. But suddenly he saw the reporter’s face soften, and melt to a naive sentimentalism.

“Mr. Granice—has the memory of it always haunted you?”

Granice stared a moment, and then leapt at the opening. “That’s it—the memory of it ... always ...”

McCarren nodded vehemently. “Dogged your steps, eh? Wouldn’t let you sleep? The time came when you had to make a clean breast of it?”

“I had to. Can’t you understand?”

The reporter struck his fist on the table. “God, sir! I don’t suppose there’s a human being with a drop of warm blood in him that can’t picture the deadly horrors of remorse—”

The Celtic imagination was aflame, and Granice mutely thanked him for the word. What neither Ascham nor Denver would accept as a conceivable motive the Irish reporter seized on as the most adequate; and, as he said, once one could find a convincing motive, the difficulties of the case became so many incentives to effort.

“Remorse—remorse,” he repeated, rolling the word under his tongue with an accent that was a clue to the psychology of the popular drama; and Granice, perversely, said to himself: “If I could only have struck that note I should have been running in six theatres at once.”

He saw that from that moment McCarren’s professional zeal would be fanned by emotional curiosity; and he profited by the fact to propose that they should dine together, and go on afterward to some music-hall or theatre. It was becoming necessary to Granice to feel himself an object of pre-occupation, to find himself in another mind. He took a kind of gray penumbral pleasure in riveting McCarren’s attention on his case; and to feign the grimaces of moral anguish became a passionately engrossing game. He had not entered a theatre for months; but he sat out the meaningless performance in rigid tolerance, sustained by the sense of the reporter’s observation.