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Chapters (13)
  1. Cover
  2. Title
  3. About Edith Wharton
  4. THE BOLTED DOOR
  5. HIS FATHER’S SON
  6. THE DAUNT DIANA
  7. THE DEBT
  8. FULL CIRCLE
  9. THE LEGEND
  10. THE EYES
  11. THE BLOND BEAST
  12. AFTERWARD
  13. THE LETTERS

“If he’d only keep his beastly pink hands off Pellerin,” Bernald groaned, thinking of the thick manuscript condemned to perpetual incarceration in his own desk by the publication of Howland’s “definitive” work on the great man. One couldn’t, after Howland Wade, expose one’s self to the derision of writing about Pellerin: the eagerness with which Wade’s book had been devoured proved, not that the public had enough appetite for another, but simply that, for a stomach so undiscriminating, anything better than Wade had given it would be too good. And Bernald, in the confidence that his own work was open to this objection, had stoically locked it up. Yet if he had resigned his exasperated intelligence to the fact that Wade’s book existed, and was already passing into the immortality of perpetual republication, he could not, after repeated trials, adjust himself to the author’s talk about Pellerin. When Wade wrote of the great dead he was egregious, but in conversation he was familiar and fond. It might have been supposed that one of the beauties of Pellerin’s hidden life and mysterious taking off would have been to guard him from the fingering of anecdote; but biographers like Howland Wade were born to rise above such obstacles. He might be vague or inaccurate in dealing with the few recorded events of his subject’s life; but when he left fact for conjecture no one had a firmer footing. Whole chapters in his volume were constructed in the conditional mood and packed with hypothetical detail; and in talk, by the very law of the process, hypothesis became affirmation, and he was ready to tell you confidentially the exact circumstances of Pellerin’s death, and of the “distressing incident” leading up to it. Bernald himself not only questioned the form under which this incident was shaping itself before posterity, but the mere radical fact of its occurrence: he had never been able to discover any break in the dense cloud enveloping Pellerin’s later life and its mysterious termination. He had gone away—that was all that any of them knew: he who had so little, at any time, been with them or of them; and his going had so slightly stirred the public consciousness that even the subsequent news of his death, laconically imparted from afar, had dropped unheeded into the universal scrap-basket, to be long afterward fished out, with all its details missing, when some enquiring spirit first became aware, by chance encounter with a two-penny volume in a London book-stall, not only that such a man as John Pellerin had died, but that he had ever lived, or written.