Back Take Me Home Tonight
Chapters (55)
  1. Cover
  2. Title Page
  3. Dedication
  4. ACKNOWLEDGMENTS
  5. PART ONE 1:30 p.m.–4:15 p.m.
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. PART TWO 4:15 p.m.–5:25 p.m.
  11. CHAPTER 5
  12. CHAPTER 6
  13. Meanwhile, back in Connecticut…
  14. CHAPTER 7
  15. CHAPTER 8
  16. PART THREE 5:25 p.m.–9:25 p.m.
  17. CHAPTER 9
  18. CHAPTER 10
  19. CHAPTER 11
  20. Meanwhile, back in Connecticut…
  21. CHAPTER 12
  22. CHAPTER 13
  23. Meanwhile, back in Connecticut…
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. Meanwhile, somewhere in upstate New York…
  29. CHAPTER 18
  30. CHAPTER 19
  31. Meanwhile, somewhere on Highway 81…
  32. CHAPTER 20
  33. PART FOUR 9:25 p.m.–11:11 p.m.
  34. Meanwhile, in Brockville (Ontario) (Canada)…
  35. CHAPTER 21
  36. CHAPTER 22
  37. CHAPTER 23
  38. CHAPTER 24
  39. CHAPTER 25
  40. Meanwhile, back in Canada…
  41. CHAPTER 26
  42. CHAPTER 27
  43. PART FIVE 11:11 p.m.–3:00 a.m.
  44. Meanwhile, in [Redacted X X X X]…
  45. CHAPTER 28
  46. Meanwhile, back in Connecticut…
  47. CHAPTER 29
  48. PART SIX Saturday
  49. CHAPTER 30
  50. PART SEVEN February
  51. CHAPTER 31
  52. CHAPTER 32
  53. More from the Author
  54. ABOUT THE AUTHOR
  55. ALSO BY MORGAN MATSON

“It’s not that,” I said, starting to get annoyed. “And it’s not just for me. It might help you, too, not that you need it.”

“Wait, what does that mean?” Stevie asked, frowning.

“Come on,” I said, rolling my eyes at her. “You know you’re the best actress in the department.”

“It’s not true. You’re—”

“Not as good as you, and I know that, and it’s fine. It is,” I said firmly, knowing she was about to start arguing this. “But it can’t hurt, right? For Lear, for the musical…”

“Yeah,” Stevie said. She looked at me for a moment, almost like she was deciding something, then took a breath. “That might not actually… matter as much.”

My head whipped around to stare at her. “What do you mean?”

“I mean,” she said, turning her clutch over on her lap, end over end, “that I’m thinking about… not auditioning for the musical.”

“What are you talking about, not auditioning for the musical?” I asked, hoping this was just a really weird joke I didn’t get yet. “We always do the musical. The musical’s the whole spring.” It was, too—because there were songs to learn and choreography to memorize, and because the orchestra and band were involved (sometimes too involved, like when we did City of Angels last year and the band had gotten way too into the jazz element of it all and Ms. Wallace had had constant fights with the band director about saxophone volume), the rehearsal time was longer. As soon as we struck the set for the Shakespeare play in February, the rest of the year was the musical. I had a serviceable soprano, but Stevie had a brassy alto with a belt—which meant while I was stuck singing love duets, she was usually getting fun, showstopping numbers, and sometimes I’d see her face as her applause just kept coming after she’d killed it, just waves of it rolling in as she kept trying to start the scene again but the audience wouldn’t let her. It was like seeing someone’s unfiltered happiness. “You love the musical.”

“I know,” Stevie said, but like she was trying to brush this aside. “It’s just—”

“It’s our senior year. And didn’t you hear we might do Follies?” Stevie was a fool for Sondheim, and I saw her flinch slightly as I said this.

“I might apply for this internship at my dad’s firm,” she said, in a voice that was trying for casual but not pulling it off. “I just think… since I’m going to be prelaw at college, I might as well start, you know?”