Back Take Me Home Tonight
Chapters (55)
  1. Cover
  2. Title Page
  3. Dedication
  4. ACKNOWLEDGMENTS
  5. PART ONE 1:30 p.m.–4:15 p.m.
  6. CHAPTER 1
  7. CHAPTER 2
  8. CHAPTER 3
  9. CHAPTER 4
  10. PART TWO 4:15 p.m.–5:25 p.m.
  11. CHAPTER 5
  12. CHAPTER 6
  13. Meanwhile, back in Connecticut…
  14. CHAPTER 7
  15. CHAPTER 8
  16. PART THREE 5:25 p.m.–9:25 p.m.
  17. CHAPTER 9
  18. CHAPTER 10
  19. CHAPTER 11
  20. Meanwhile, back in Connecticut…
  21. CHAPTER 12
  22. CHAPTER 13
  23. Meanwhile, back in Connecticut…
  24. CHAPTER 14
  25. CHAPTER 15
  26. CHAPTER 16
  27. CHAPTER 17
  28. Meanwhile, somewhere in upstate New York…
  29. CHAPTER 18
  30. CHAPTER 19
  31. Meanwhile, somewhere on Highway 81…
  32. CHAPTER 20
  33. PART FOUR 9:25 p.m.–11:11 p.m.
  34. Meanwhile, in Brockville (Ontario) (Canada)…
  35. CHAPTER 21
  36. CHAPTER 22
  37. CHAPTER 23
  38. CHAPTER 24
  39. CHAPTER 25
  40. Meanwhile, back in Canada…
  41. CHAPTER 26
  42. CHAPTER 27
  43. PART FIVE 11:11 p.m.–3:00 a.m.
  44. Meanwhile, in [Redacted X X X X]…
  45. CHAPTER 28
  46. Meanwhile, back in Connecticut…
  47. CHAPTER 29
  48. PART SIX Saturday
  49. CHAPTER 30
  50. PART SEVEN February
  51. CHAPTER 31
  52. CHAPTER 32
  53. More from the Author
  54. ABOUT THE AUTHOR
  55. ALSO BY MORGAN MATSON

I’d taken ballet since I was three, and had spent all my time after school—and every summer, at sleepaway ballet camps—dancing. My life was a blur of leotards and convertible tights, bobby pins and hairnets, breaking in pointe shoes and comparing calluses and bloody blisters after class like war wounds, like battle scars. I had fully believed that it was what I was going to do with my life. I wasn’t going to go to college—I was going to dance professionally.

And it wasn’t like it was out of the realm of possibility to think that I could do it. Gelsey Edwards, two years older than me and the star of our dance school, became an apprentice at the New York City Ballet when she was fifteen and joined the company the following year. But right before my freshman year started, my teacher sat down with me and my parents and told me she didn’t think I’d be able to make it. That while I was technically proficient, she didn’t “anticipate” I’d get an offer from a company. I still auditioned for the School of American Ballet—but didn’t get in. And suddenly, all my plans—all I’d thought my life would be—were thrown up in the air. I wasn’t going to SAB and Professional Children’s, in the city. I was going to Stanwich High and would have to figure out something else to do with my life.

At fourteen, I was all washed up.

But during the second week of school, there was an announcement about auditions for the fall play. I dragged myself there, not expecting anything, just to have something to do. But there in line behind me had been Stevie Sinclair. We were both cast as maids in The Cherry Orchard, and I fell in love. With all of it. With my new best friend, with the camaraderie, with the long rehearsals, punchy tech run-throughs, sitzprobes and opening nights, striking the sets and cast parties. I loved it all. Joining the theater department turned what had been the lowest moment in my life into something better than I ever could have imagined. I was all in, 100 percent. And I’d barely danced since.

“Kat, wait up!” I stopped crossing the student center and turned around, seeing my friend Teri running toward me, her brown hair flying behind her.

“Hey,” I said, giving her a smile. “Where are you coming from?”