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Contents ( 40)
  1. SWORN TO SILENCE
  2. ACKNOWLEDGMENTS
  3. PROLOGUE
  4. CHAPTER 1
  5. CHAPTER 2
  6. CHAPTER 3
  7. CHAPTER 4
  8. CHAPTER 5
  9. CHAPTER 6
  10. CHAPTER 7
  11. CHAPTER 8
  12. CHAPTER 9
  13. CHAPTER 10
  14. CHAPTER 11
  15. CHAPTER 12
  16. CHAPTER 13
  17. CHAPTER 14
  18. CHAPTER 15
  19. CHAPTER 16
  20. CHAPTER 17
  21. CHAPTER 18
  22. CHAPTER 19
  23. CHAPTER 20
  24. CHAPTER 21
  25. CHAPTER 22
  26. CHAPTER 23
  27. CHAPTER 24
  28. CHAPTER 25
  29. CHAPTER 26
  30. CHAPTER 27
  31. CHAPTER 28
  32. CHAPTER 29
  33. CHAPTER 30
  34. CHAPTER 31
  35. CHAPTER 32
  36. CHAPTER 33
  37. CHAPTER 34
  38. CHAPTER 35
  39. CHAPTER 36
  40. CHAPTER 37

Downtown Painters Mill is composed of one major thoroughfare—aptly named Main Street—lined with a dozen or so businesses, half of which are Amish tourist shops selling everything from wind chimes and bird houses to intricate, handmade quilts. A traffic circle punctuates the north end of the street. A big Lutheran church marks the southernmost section of town. To the east lies the brand-new high school, an up-and-coming housing development called Maple Crest and a smattering of bed-and-breakfasts that have sprung up over the last couple of years to accommodate the town’s fastest growing industry: tourism. On the west side of town, just past the railroad tracks and mobile home park, is the slaughterhouse and rendering plant, the farmer’s mercantile and a massive grain elevator.

Since its inception in 1815, Painters Mill’s population has remained steady at about 5,300 people, a third of whom are Amish. Though the Amish keep to themselves for the most part, no one is really a stranger, and everyone knows everyone else’s business. It’s a wholesome town. A nice place to live and a raise a family. It’s a good place to be the chief of police. Unless, of course, you have a vicious, unsolved murder on your hands.

Sandwiched between Kidwell’s Pharmacy and the volunteer fire department, the police station is a drafty cave carved into a century-old brick building that had once been a dance hall. I’m greeted by Mona Kurtz, my third-shift dispatcher, as I push open the door and enter the reception area. She looks up from her computer, flashes an over-the-counter white smile and waves. “Hey, Chief.”

She’s twentysomething with a mane of wild red hair and a vivacity that makes the Energizer Bunny seem lazy. She talks so fast I understand only half of what she says, which isn’t necessarily a bad thing since she usually relays more information than I need to hear. But she enjoys her job. Unmarried and childless, she doesn’t mind working the graveyard shift and has a genuine interest in police work. Even if that interest derives from watching CSI, it was enough for me to hire her last year. She hasn’t missed a day since.

Seeing the pink message slips in her hand and the fervor in her eyes, I wish I’d waited until her shift was over before arriving. I enjoy Mona and appreciate her enthusiasm, but I don’t have the patience this morning. I don’t pause on the way to my office.

Undeterred, she crosses to me and shoves a dozen or so messages into my hand. “The phones are ringing off the hook. Folks are wondering about the murder, Chief. Mrs. Finkbine wants to know if it’s the same killer from sixteen years ago.”

I groan inwardly at the power and speed of the Painters Mill rumor mill. If it could be harnessed to generate electricity, no one would ever have to pay another utility bill again.

She frowns when she glances down at the next slip. “Phyllis Combs says her cat is missing, and she thinks it might be the same guy.” She looks at me with wide brown eyes. “Ricky McBride told me the vic was . . . decapitated. Is it true?”