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Contents ( 40)
  1. SWORN TO SILENCE
  2. ACKNOWLEDGMENTS
  3. PROLOGUE
  4. CHAPTER 1
  5. CHAPTER 2
  6. CHAPTER 3
  7. CHAPTER 4
  8. CHAPTER 5
  9. CHAPTER 6
  10. CHAPTER 7
  11. CHAPTER 8
  12. CHAPTER 9
  13. CHAPTER 10
  14. CHAPTER 11
  15. CHAPTER 12
  16. CHAPTER 13
  17. CHAPTER 14
  18. CHAPTER 15
  19. CHAPTER 16
  20. CHAPTER 17
  21. CHAPTER 18
  22. CHAPTER 19
  23. CHAPTER 20
  24. CHAPTER 21
  25. CHAPTER 22
  26. CHAPTER 23
  27. CHAPTER 24
  28. CHAPTER 25
  29. CHAPTER 26
  30. CHAPTER 27
  31. CHAPTER 28
  32. CHAPTER 29
  33. CHAPTER 30
  34. CHAPTER 31
  35. CHAPTER 32
  36. CHAPTER 33
  37. CHAPTER 34
  38. CHAPTER 35
  39. CHAPTER 36
  40. CHAPTER 37

A barrage of questions erupt when I pause.

“Is it the Slaughterhouse Killer?”

“Do you have a suspect?”

“How were the women killed?”

The pushiness of the crowd annoys me. “One at a time,” I snap.

No one pays attention to my request. I spot Steve Ressler in the first row and call him by name. In the back of my mind I hope this makes up for my brusqueness back at the station. The last thing I want to do is alienate the media right off the bat.

“Chief Burkholder, have you contacted the FBI?” he asks.

“No.”

Disapproving murmurs ripple through the crowd.

“Why not?”

“Because we’re already working with the Bureau of Criminal Identification and Investigation out of Columbus.”

A dozen hands shoot up. I point to a thin man wearing glasses with heavy black frames. “Can you tell us how the victims were killed?” he asks.

“Preliminary results from the coroner concludes both victims had their throats cut. Cause of death is exsanguination.”

A hush that is part shock, part fear, falls over the crowd. I point to a man wearing a Cincinnati Reds ball cap. “That’s exactly how the Slaughterhouse Killer from the early nineties murdered his victims,” he begins. “Is it the same guy?”

“We do not know that to be a fact, but we are looking at old case files.” Ignoring the buzz that follows, I call on a woman I’ve seen on the news.

The questions are brutal and pummel me like stones. The answers are hard to come by. I do my best, but after twenty minutes I feel embattled and wrung out. Hands wave madly, but I don’t call upon them. “If you’ll excuse me I’ve got to get back to work.” Stepping back from the podium, I turn to Detrick. “Sheriff Detrick?”

At this point I’m expected to take my place beside Auggie and Norm and listen to Detrick’s spiel. But I’ve never been a fan of political cabaret so I head toward the rear stage door.

Behind me, Detrick’s voice booms from the sound system. Competence and charisma practically ooze from his pores, and I know that in minutes, he’ll have this hostile audience eating out of his hand. It shouldn’t bother me, but it does. In the public eye, perceptions are everything, even if those perceptions are skewed.

I mentally kick myself for having not done a better job at the podium. I should have been more patient, more forthright. I should have been a stronger leader. But I’m a cop, not a public speaker. Snagging my parka off the chair, I resolve to go back to the station where I can at least be effective.

Detrick’s voice is the backdrop to my thoughts as I enter a hall lined with lockers. Even from this distance, I discern the confidence in his voice. And I know he is the one who will make the citizens of Painters Mill feel safe tonight, not me.

“Chief!”

I turn to see Glock stride toward me. Next to him, John Tomasetti’s expression is grim. An Amish man with blunt-cut hair, blue eyes and a full red beard follows them. He wears a black wool jacket that doesn’t look nearly warm enough. A plump woman wearing a black coat over a wool jumper and leather ankle boots trails the men.