Chapters (40)
- Copyright Notice
- Dedication
- CAST
- TIME LINE
- Epigraph
- 01 AMACHI ADISA Muungano, the Belts / the Dreaming City
- 02 JAHA DIMKA The Muungano Embassy on (Original) Earth
- 03 MAULANA BUHARI The Dreaming City
- 04 STACIA CHIKEKE The Cypher (Returning to Titan)
- 05 FELA BUHARI Eshu
- 06 WACHIRU ADISA The Dreaming City
- 07 STACIA CHIKEKE The Cypher (Returning to Titan)
- 08 SELAMAULT JYWANZA The Dreaming City
- 09 FELA BUHARI Eshu
- 10 AMACHI ADISA The Dreaming City
- 11 BEKELE CHIKEKE The Cypher
- 12 FELA BUHARI Eshu
- 13 WACHIRU ADISA The Dreaming City
- 14 STACIA CHIKEKE The Cypher (Returning to Titan)
- 15 EPYC RO MORGAN Eshu
- 16 AMACHI ADISA The Dreaming City to the Citadel
- 17 STACIA CHIKEKE The Cypher (Returning to Titan)
- 18 WACHIRU ADISA The Dreaming City
- 19 FELA BUHARI Eshu
- 20 STACIA CHIKEKE The Cypher (Returning to Titan)
- 21 FELA BUHARI Eshu
- 22 AMACHI ADISA The Citadel
- 23 MAULANA BUHARI The Dreaming City
- 24 STACIA CHIKEKE The Cypher (Returning to Titan)
- 25 ISHANT SANGSUWANGUL The Citadel
- 26 EPYC RO MORGAN Eshu
- 27 MAULANA BUHARI The Dreaming City
- 28 WACHIRU ADISA The Dreaming City
- 29 AMACHI ADISA Mars
- ROBIN’S WAR JOURNAL NOTES
- Glossary
- ACKNOWLEDGMENTS
- Also by Maurice Broaddus
- ABOUT THE AUTHOR
- Newsletter Sign-up
“But?” We sensed an unspoken question in his voice.
“But it’s been a struggle. So much of our identity gets wrapped up in and defined by our faith. Our faith has to be about more than just surviving or existing. It was about recovering ourselves, needing to destroy the definition of us they imposed on us by finding new meaning in the old stories and traditions.” Bayard kept his tone light, but we had the impression he was taking our measure, sizing us up to see what we were made of. Where we might fit in whatever puzzle he was assembling. “People are simply opportunities to figure out what it means to love.”
“Love…” Our voice trailed off. Between Muungano and music, we already had two loves that required most of our time and heart. A relationship had to compete for space and voice, which was unfair unless they were already in the work or art.
“Always comes at a cost.” Bayard placed his hand on our shoulder, squeezing it once. The touch had a weight about it, as if channeling his emi to ground us. He opened his mouth, hesitant. Careful not to say any more than we were ready to engage. “Is all of this about Anyah?”
Anyah. We let the name ring loud in our mind while ignoring how our heart bottomed out. Her death still weighed on us. When it comes to tragedy in the space, we often wonder what role we might have played in the cause. If we could have done anything better.
“There are several hundred million spread throughout Muungano. The bigger the society, the more difficult it is to maintain rich relationships. But none of us need to be alone. Or go through anything alone.”
We turned away, unable to meet his eyes. Any part of him. The question stripped us, leaving us too exposed to an uncaring universe. “We don’t know what to do with all our feelings.”
“Right now, they are probably like a brush fire that you have to let burn itself out.” He pointed to a shimmering portrait on the wall. “I don’t claim to be an expert in relationships, but I do love this image. An ancient Egyptian papyrus painting of Ramses II presenting lotus flowers, symbols of rebirth and resurrection, to Hathor, the goddess of love, joy, and music. She gives him the ankh, the key of life. This is what it means to be in love.”
“I loved her.” We could think of no other way to describe the weight in our chest, so we named it love. Relationships were exchanges of energy, so we were careful who we let in, not wanting toxic energy to settle in. We attracted the things and people we needed even before we realized we needed them. With the same vibration. With the same type of energy. That energy came out in the music.