Contents ( 21)
- CAST OF CHARACTERS
- Prelude in New Zealand
- Arrival in London
- Preparation for a Charade
- Uncle G.
- Mike Puts the Pot on It
- Catastrophe
- Death of a Peer
- Alleyn Meets the Lampreys
- “Two, Two, The Lily-White Boys”
- Statement from a Small Boy
- Conversation Piece
- According to the Widow
- The Sanity of Lady Wutherwood
- Perjury by Roberta
- Entrance of Mr. Bathgate
- Night Thickens
- Mr. Fox Finds an Effigy
- Scene by Candlelight
- Severed Hand
- Preparation for Poverty
Mike stared at Alleyn. Tears welled into his large eyes. He hauled the bed-clothes over his head and turned his face to the wall.
“Oh, damn!” said Alleyn softly.
“What is all this?” asked Lord Charles rather peevishly. Alleyn looked significantly at the crest of mouse-coloured hair which was all that could be seen of Mike, and turned down his thumb.
“I’ve blundered,” he said.
“Come outside,” said Lord Charles.
In the nursery passage, Alleyn closed the door and said: “I’m afraid Michael is upset because your nurse quelled the remarkably steady flow of his narrative. He told me that in your interview with him Lord Wutherwood had been annoyed about something. Nanny very properly suggested that you should be present. Michael, who is an enthusiastic maker of statements, resented her taking a hand.”
“Did he—”
“Yes, I’m afraid he did deliver himself of one rather curious phrase. I’m so sorry he’s upset. If I may I should like to try and mend matters a little. If I could just say good night to him?” Alleyn looked at Lord Charles and added rather drily: “I hope you will come with me, sir.”
“The horse having apparently bolted,” said Lord Charles, “I shall be glad to assist at the ceremony of closing the stable door.”
They returned to the nursery. Nanny had tidied up the bed. Mike lay with the sheet clutched to the lower part of his face. His eyes were tightly shut and his cheeks stained with tears.
“Sorry to wake you up again,” said Alleyn. “I just wanted to ask if you would very kindly lend me that lens of yours. I could do with it.”
Without opening his eyes, Mike scuffled under the pillow and produced his Woolworth magnifying glass. He thrust it up. Alleyn took it. Mike was shaken by a sob and retreated farther under the sheet.
“It’s a jolly good glass,” said a muffled voice.
“I can see that. Thank you so much. Good night, Lord Michael.”
The sheet was thrown back and Mike’s eyes opened accusingly upon his father.
“Daddy!” he said. “It’s not going to be that!”
“Well,” said Lord Charles, “well, yes. I’m afraid—well, yes, Mike, it is.”
“Good lord, that puts the absolute lid on it! Good lord, that’s absolutely frightful! Good lord,” repeated Mike on a note of tragedy, “it’s a damn’ sight worse than Potty!”

Mr. Fox had remained in the drawing-room with the Lampreys and Roberta Grey. Alleyn, on his return with Lord Charles, found Fox sitting in a tranquil attitude on a small chair, with the family grouped round him rather in the manner of an informal conversation piece. Fox had the air of a successful raconteur, the Lampreys that of an absorbed audience. Frid, in particular, was discovered sitting on the floor in an attitude of such rapt attention that Alleyn was immediately reminded of a piece of information gleaned earlier in the evening: Frid attended dramatic classes. On his superior’s entrance, Fox rose to his feet. Frid turned upon Alleyn a gaze of embarrassing brilliance and said: “Oh, but you can’t interrupt him. He’s telling us all about you.” Alleyn looked in astonishment at Fox who coughed slightly and made no remark. Alleyn turned to Lady Charles.