Actually, I don’t know; I only assume. Jax is the source of a slew of rumors and petty gossip, but for Paul, he’s a painful subject, one he doesn’t like to talk about. As far as I know, the two haven’t spoken since high school graduation—not an easy thing to do in a town where everybody knows everybody.

Jax glances up the street, in the direction of far-off voices floating on the icy wind. I don’t follow his gaze, but I can tell from the way his body turns skittish that someone is coming this way, moving closer.

“Do you need anything? Some money, maybe?”

Good thing those people aren’t within earshot, because they would laugh at the absurdity of the trailer-park girl turned married-up wifey offering the son of an insurance tycoon some cash. Not that Jax’s father didn’t disown him ages ago or that I have more than a couple of bucks in my pocket, but still.

Jax shakes his head again. “Tell Paul I need to talk to him. Tell him to hurry.”

Before I can ask what for, he’s off, planting a palm on the railing and springing over in one easy leap, his body light as a pole vaulter. He hits the cement and takes off up the alley. I dash forward until I’m flush with the railing, peering down the long passage between Paul’s building and the cocktail lounge, but it’s empty. Jax is already gone.

I push through the doors of Keller Architecture, an open space with cleared desks and darkened computer screens. The whiteboard on the back wall has already been wiped clean, too, one of the many tasks Paul requires his staff to do daily. It’s nearing five, and other than his lead designer, Gwen, hunched over a drawing at her drafting table, the office is empty.

She nods at my desk. “Perfect timing. I just finished the Curtis Cottage drawings.”

Calling a seven-thousand-square-foot house a “cottage” is ridiculous, as are whatever reasons Tom Curtis and his wife, a couple well into their seventies, gave Paul for wanting six bedrooms and two kitchens in what is essentially a weekend home. But the Curtises are typical Keller Architecture clients—privileged, demanding and more than a little entitled. They like Paul because he’s one of them. Having a desk is probably ridiculous, too, since I only work twenty hours a week, and for most of them I’m anywhere but here. My role is client relations, which consists mainly of hauling my ass to wherever the clients are so I can put out fires and talk them off the latest ledge. The job and the desk are one of the many perks of being married to a Keller.