Sebastiane had been born in the United States, educated in United States schools, stamped with an American arrogance. Neeva took her daughter back to Haiti once each year, but it was not home to her. She rejected the old country and its old ways. She rejected old knowledge because new knowledge was so shiny and neat. But Sebastiane making her mother out to be a superstitious fool was almost more than Neeva could take. Especially since, by acting as she had, saving these two spoiled yet potentially redeemable children, she had placed the members of her own family at risk.

Though she had been raised a Roman Catholic, Neeva’s maternal grandfather was Vodou and a village bokor, which is a kind of houngan, or priest—some call them sorcerers—who practices magic, both the benevolent kind and the dark kind. Though he was said to bear a great ashe (wield much spiritual power), and dabbled often with healing zombi astrals—that is, capturing a spirit in a fetish (an inanimate object)—he never attempted the darkest art, that of reanimating a corpse, raising a zombie from a dead body whose soul has departed. He never did so because he said he had too much respect for the dark side, and that crossing that infernal border was a direct affront to the loa, or the spirits of the Vodou religion, akin to saints or angels who act as intermediaries between man and the indifferent Creator. But he had participated in services that were a kind of back-country exorcism, righting the wrongs of other wayward houngan, and she had accompanied him, and had seen the face of the undead.

When Joan had shut herself away in her room that first night—her richly appointed bedroom as nice as any of the hotel suites Neeva used to clean in Manhattan when she first arrived in America—and the moaning finally stopped, Neeva had peeked in to check on her. Joan’s eyes looked dead and faraway, her heart was racing, the sheets were soaked and putrid with sweat. Her pillow was stained with whitish, coughed-up blood. Neeva had nursed the ill and the dying alike, and she knew, looking at Joan Luss, that her employer was sinking not merely into sickness but into evil. That was when she took the children and left.