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Chapters (63)
  1. PRAISE FOR PAUL FINCH
  2. Title Page
  3. Dedication
  4. Prologue
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. A Stranger is just a killer you
  53. Do you know who’s
  54. Love Paul Finch? Then why not try his Detective
  55. A vicious killer is holding the country to ransom, publicly – and gruesomely – murdering his victims.
  56. DS Mark ‘Heck’ Heckenburg is used to bloodbaths. But nothing will prepare him for this …
  57. As a brutal winter takes hold of the Lake District, a prolific serial killer stalks the fells. And for Heck, the signs are all too familiar …
  58. Heck needs to watch his back.
  59. Is your home safe?
  60. A deadly hunt. A dangerous game. A man who plays with fire …
  61. About the Author
  62. By the same author:
  63. About the Publisher

Content that both of them were now protected against the wickedness of others, she perambulated on, eighty yards or so, before stopping at another recess, where two more shapes sat under blankets amid a detritus of beercans and other trash. They were grizzled, brutish-looking older men, neither of whom she knew, though she had met them several times before. Despite this, they were glad to see her, going through their usual routine of asking for whisky and cigarettes, but gratefully accepting her gifts of biscuits and bottles of clean water, and allowing her to tuck them in.

‘Stupid fucking bitch!’ a shrill voice called from a passing vehicle. ‘Givin’ ’em all a crafty wank? Making life easier for parasites!’

She ignored the abuse, as she always did, refastening her satchel as she cut across the road and took a side-passage. This brought her through to Hildegard Way, normally a quieter thoroughfare, though on this occasion she was almost run down by a green transit van, which came screeching around the corner as though in a frantic chase and had to swerve to avoid her. It pulled up some twenty yards further along, as if the driver was about to leap out and berate her. Sister Cassie girded herself for yet more nastiness. But that didn’t happen. The van simply pulled away again, now much more slowly.

She crossed to the other side of the road and headed down a side-street.

This was Laidlaw Green, a much narrower avenue running behind the backs of shops. Yet more dark, huddled shapes, blurred under rags and filthy, improvised sheets, were dotted along it. One by one, the ex-nun interacted with them all, sometimes crouching and doling out from her satchel, sometimes kneeling as though to pray or at least offer what gentle words she could.

It was late, and, feeling the first hints of drowsiness from her medicine, she knew that the need for rest and sleep would soon become overpowering. So she pressed on down the length of the Green, the farthest end of which was dominated by the derelict outlines of the mills and warehouses of St Clement’s.

She crossed Adolphus Road, diverting left onto an avenue lined with boarded-up terraced houses, and at the end entering a mini-labyrinth of streets which no longer led anywhere, their properties long demolished, leaving a mosaic of interconnected, weed-covered lots. One of these long-forgotten byways was Canning Crescent, which was still cobbled, as if it hadn’t been used since the days of clog irons and cartwheels.

Directly ahead now stood the colossal double blot on the skyline that was the twin outlines of Griggs Warehouse and Penrose Mill. The closer Sister Cassie drew, the more immense the aged structures seemed, and the more broken and desolate the occasional smaller buildings on either side of her. The only light now came from the upright patterns of windows denoting distant tower blocks.