Chapters (30)
- Cover
- Femmes Fatales
- Title Page
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- About the Author
- Also Available from Feminist Press
- About Feminist Press
Standing in the center of the bedroom, Laurel drew in a deep breath, and gazed about her. What a lovely bedroom it was! Yellowish—like pale sunshine. She decided that it was lovelier even than her present luxurious apartment at the hotel. It was lovelier than any apartment in any hotel she had ever caught a glimpse of through half-open doors, on her way to and from elevators.
After she had taken off her hat and coat and laid them on the bed next to the wall as directed (her bed, she would be sleeping in it tonight!) she opened the door, and went out into the upper hall. She stole noiselessly down the broad staircase—there was a tall, slender, light-mahogany grandfather clock on the landing, and a high window with pink-and-white petunias making it bright in a window-box outside—and noiselessly approached the door of the big room where she had left her father.
There were others in the room now besides her father and Mrs. Morrison. She could tell from the voices. She stopped when she reached the threshold. Nobody saw her, nobody heard her, and she had a moment to gaze unobserved at the scene before her.
It was like a scene at the “movies,” with all those books, and the piano, and the comfortable chairs, and the big portrait hanging over the fireplace, and the pretty lady behind the steaming tea-kettle, and the dog, and the boys (there were three boys in the room. One of them, the littlest one, was seated in her father’s lap)—only it was real! There were real bindings on the books, real reading in them, there was real tea in the tea-pot. The people were real, and their feelings for each other were real, too. She, standing on the outside, was the only unreal thing in this home scene.
She looked at her father. Suddenly the room faded, disappeared, and a close-up of his face dawned on the screen before her, as it were. Why, her father was gazing at the lady behind the tea-kettle, as if—as if—! Laurel had seen too many close-ups of faces not to recognize that look! She drew in her breath sharply. It flashed over Laurel that perhaps this man wasn’t really her father after all! She stirred, moved a foot.
Mrs. Morrison glanced over her shoulder.
“Oh! Come here, Laurel,” she exclaimed at sight of her, and stretched out her arm, and kept it stretched out until Laurel had stepped within its circle.