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Contents (97)
  1. RED
  2. NEWAGE
  3. MARA
  4. 1
  5. TALIN
  6. 2
  7. RED
  8. 3
  9. TALIN
  10. 4
  11. RED
  12. 5
  13. TALIN
  14. 6
  15. RED
  16. 7
  17. RED
  18. 8
  19. TALIN
  20. 9
  21. RED
  22. CARDINIA
  23. 10
  24. TALIN
  25. 11
  26. RED
  27. 12
  28. TALIN
  29. 13
  30. RED
  31. 14
  32. TALIN
  33. 15
  34. RED
  35. 16
  36. TALIN
  37. 17
  38. RED
  39. 18
  40. TALIN
  41. 19
  42. RED
  43. 20
  44. TALIN
  45. 21
  46. RED
  47. 22
  48. TALIN
  49. 23
  50. TALIN
  51. 24
  52. RED
  53. 25
  54. TALIN
  55. 26
  56. RED
  57. 27
  58. RED
  59. 28
  60. TALIN
  61. 29
  62. TALIN
  63. 30
  64. RED
  65. 31
  66. RED
  67. 32
  68. TALIN
  69. 33
  70. RED
  71. 34
  72. TALIN
  73. 35
  74. RED
  75. 36
  76. TALIN
  77. 37
  78. TALIN
  79. 38
  80. RED
  81. 39
  82. TALIN
  83. 40
  84. RED
  85. 41
  86. TALIN
  87. 42
  88. RED
  89. 43
  90. TALIN
  91. 44
  92. TALIN
  93. 45
  94. TALIN
  95. ACKNOWLEDGMENTS
  96. ABOUT THE AUTHOR
  97. CONTENTS

It is this thought that pulls back my emotions. I feel sick suddenly, and angle my flight in the sky back toward the carriage. My head swims. I can smell the tang of blood on my wings.

Do not let yourself get used to this smell, I tell myself.

And, without warning, I hear Constantine in my head.

You will, he says to me. In time, you will love it.

There is something wild and vicious about his voice this time, like he is delighted to feel the fear that has just hummed through me, knows that the spike of joy I’d felt aligned with the killing of others.

My hands clench beside me. I will end you first, I tell him.

But all I feel from him in response is a trickle of dark amusement.

At last, the carriage passes through the city center. The farther we go, the more scattered the fires. We veer down one path after another, avoiding other blockades. Finally, the dark ring of the prison district looms along Cardinia’s wall.

The carriage comes to a halt nearby. I land beside it as everyone jumps out. Already, there is a crowd outside one of the prison’s gates, which has been thrown wide open. Rebels are here, flooding in and out.

Adena darts through the crowd, pushing them back whenever she can. “Get back, get back!” she shouts. “None of you have the right gear! Get back!”

We manage to carve a swath through the masses until we break past the gate and into the prison district.

Textile mills loom all around us. In the center of them all, left in the middle of the path, is the cylinder taken from Mara, lying on its side.

The rebels have erected a makeshift pulley system to drag the cylinder out, but there are far too few of them to get the object onto a platform they’ve brought.

Jeran rushes ahead of us, seemingly unhindered by the weight of the vest strapped around his chest. Adena hurries beside him. Together, they reach the base of the cylinder and slide into a Striker formation almost without thinking. Jeran kneels, puts his hands together, and Adena steps onto it, kicking off with his assistance. She lands nimbly on top of the cylinder, then whips out a tool and starts immediately prying loose its circular cover.

Aramin rushes forward with a long rope to secure around the structure. He tosses it up to Adena, who wraps it around the top of the cover and throws the end down to where Jeran and Aramin pull it tight. As they work, Jeran calls out instructions in Karenese to the rebels around us, telling them to get into position to pull.

Red and I step forward. I feel my Skyhunter power coursing through me, and through our bond, I know Red is gathering his strength too. Our eyes glow a faint blue as we reach the end of the rope.

Suddenly I’m reminded of my days spent out in the scrapyards of Newage, balancing from one stack of metal to another, memorizing the feeling of that shifting landscape as it groaned and yawned beneath my feet. Getting a handle for the weights and objects around me. Now I grab the end of the rope with Red positioned in front of me, then look up at Adena for her signal.