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Contents ( 97)
  1. RED
  2. NEWAGE
  3. MARA
  4. 1
  5. TALIN
  6. 2
  7. RED
  8. 3
  9. TALIN
  10. 4
  11. RED
  12. 5
  13. TALIN
  14. 6
  15. RED
  16. 7
  17. RED
  18. 8
  19. TALIN
  20. 9
  21. RED
  22. CARDINIA
  23. 10
  24. TALIN
  25. 11
  26. RED
  27. 12
  28. TALIN
  29. 13
  30. RED
  31. 14
  32. TALIN
  33. 15
  34. RED
  35. 16
  36. TALIN
  37. 17
  38. RED
  39. 18
  40. TALIN
  41. 19
  42. RED
  43. 20
  44. TALIN
  45. 21
  46. RED
  47. 22
  48. TALIN
  49. 23
  50. TALIN
  51. 24
  52. RED
  53. 25
  54. TALIN
  55. 26
  56. RED
  57. 27
  58. RED
  59. 28
  60. TALIN
  61. 29
  62. TALIN
  63. 30
  64. RED
  65. 31
  66. RED
  67. 32
  68. TALIN
  69. 33
  70. RED
  71. 34
  72. TALIN
  73. 35
  74. RED
  75. 36
  76. TALIN
  77. 37
  78. TALIN
  79. 38
  80. RED
  81. 39
  82. TALIN
  83. 40
  84. RED
  85. 41
  86. TALIN
  87. 42
  88. RED
  89. 43
  90. TALIN
  91. 44
  92. TALIN
  93. 45
  94. TALIN
  95. ACKNOWLEDGMENTS
  96. ABOUT THE AUTHOR
  97. CONTENTS

My heart starts to hammer. Red and Jeran, I think immediately. They’ve been captured, and I will be forced to watch them executed in this arena.

Or it will be Adena and Aramin. It will be someone I love.

Or it will be my mother.

That’s my next thought, and the idea makes my stomach clench. No, let me not be forced to execute my own mother.

But then I notice the prisoners’ clothes. They are Karensan, and not rags, but fine silks that have been shredded and dirtied. One is a woman with white skin, her hands bound firmly behind her back. The other is a man with brown hair, well-built like a soldier.

Like a general.

I frown, and for a moment I’m confused. My eyes finally go up to the balcony where Constantine always is, seated with his brother and his Chief Architect, and—lately—with me.

But the balcony is completely empty.

Constantine knows about our plans. He isn’t here.

It doesn’t mean he isn’t witnessing this scene from somewhere, though, because an instant after my realization, I hear his voice in my head. He is ice cold, his anger a blade he slides against my mind, anguish bleeding in its wake.

You thought I didn’t know, he says.

The executioners reach up and pull the cloths off the prisoners’ faces.

I don’t see Aramin or Adena or Red standing before me. I see Caitoman Tyrus and Raina de Balman.

They are bound and gagged, their faces bruised from what must have been a night in the prison. Raina is trembling all over, but the deep emptiness in her eyes tells me exactly what has happened to her family. Her son, her husband. They have already been killed by the Premier for her scheming.

Her plot to replace Constantine with Caitoman. None of that matters now.

And in this moment, I know that Mayor Elland must have tipped Constantine off about their plot.

The din in the arena quiets abruptly as the audience realizes who they are looking at. The General of the Karensa Federation. The Chief Architect. Two people that the city has seen standing beside the Premier all their lives. What are they doing here, bound and gagged?

Raina stares at me with tears in her eyes. Strangely, there is no sense of pleading in her gaze. Instead, I see something that resembles a farewell, as if she has always known she would end this way. She has spent her entire life creating monsters for the Federation. But in the end, they have still destroyed all that she holds dear.

I could risk everything right now. Lunge forward, protect them, and serve this rebellion. I could do it. I’m close enough. In this moment, I can choose between the Premier and a different future.

But I don’t move. I can’t. I’m tired of being everyone’s pawn, moved from place to place, goal to goal, kept in the dark. I’m tired of having so much power and no way to wield it. I’m tired of false promises, of my mother used against me.