Back Steel Frame
Chapters (41)
  1. Title
  2. Indicia
  3. Steel Frame
  4. One
  5. Two
  6. Three
  7. Four
  8. Five
  9. Six
  10. Seven
  11. Eight
  12. Nine
  13. Ten
  14. Eleven
  15. Twelve
  16. Thirteen
  17. Fourteen
  18. Fifteen
  19. Sixteen
  20. Seventeen
  21. Eighteen
  22. Nineteen
  23. Twenty
  24. Twenty-One
  25. Twenty-Two
  26. Twenty-Three
  27. Twenty-Four
  28. Twenty-Five
  29. Twenty-Six
  30. Twenty-Seven
  31. Twenty-Eight
  32. Twenty-Nine
  33. Thirty
  34. Thirty-One
  35. Thirty-Two
  36. Thirty-Three
  37. Acknowledgements
  38. About The Author
  39. 'Ironclads' by Adrian Tchaikovsky
  40. 'NineFox Gambit' by Yoon Ha Lee
  41. 'Grunt Life' by Weston Ochse

I’m not expecting anything to come of it, but the shadows grow outside.

I skid back in the cell.

Shit.

Looks like I touched a nerve.

I brace for a rush through the door, maybe a steel-toed boot in the stomach, but nothing comes. I drop my hands low, unfold from the corner, risk a glance at the door. The seals don’t budge.

But I hear something grind beneath the floor. The chains tug at my wrists: just taking up slack at first, but eventually the pull is irresistible. The links disappear through a hole in the deck, dragging me across the cell, holding me low to the ground.

I don’t remember this. Not in Reveley, and not in Syndamere. Not in the hulk that the colonials called Scharapel and the cons called the Cookhouse. Three of the worst days of my life, lived in a pool of my own sweat.

This isn’t like that. Something is wrong.

The door should be swinging on its hinges, and there should be wardens all over me, boots and batons and spit blowing through their teeth. Instead, they wait outside, watching me through what passes for a window in this place.

The first door opens smoothly. The first of three, this the widest and heaviest, so thick its hinges should be screaming at the weight. They don’t, and the wardens move it around on fingertips. I glimpse the edge as it turns away: solid as anything I’ve ever seen, forged in the heart of a collapsing star.

I saw the other side of the door once, sometime long ago. I couldn’t tell you when, exactly, but I remember it vividly. A carving: swirls like tidal waves cut into the surface.

Beneath them, the twisted faces of the drowned.

I don’t recognise the thought, but I don’t have long alone with it. The second door is thinner, and almost transparent. I don’t remember there being two doors on this cell, let alone three, but now that I’m looking, I remember all the time I’ve spent studying it. Not long enough to work out what it is or what it does, but long enough to come up with a few theories. It’s hard to see when it’s resting in its the grooves, but when it moves it edges into focus. Then it turns hazy like frosted glass.

While it was shut, there was only silence, but now I hear the wash of prison noise: bootstep echoes and shuffling feet, whispered conversations and weapon checks.