On Saturdays, we move all the lounge furniture to the walls, string a badminton net across the room, and work up a good sweat. The Martians come out and play for the first few minutes, one on each team, though they overheat quickly and are handicapped by the gravity, not to mention lacking the concept of “sport.” We compensate for their relative lack of mobility by letting them each use two racquets. They’re ambidextrous four ways.

Meryl’s wall-sized crossword puzzle is about a third finished. She’d better slow down. Elza put away her needlepoint for a while, but has started a new one, another fractal chromatic fantasy.

Moonboy spends an hour or two a day on the piano, composing silently, and sometimes plays all night, haggard but happy in the morning. I don’t read music too well, but noticed the other day that Composition 3: Approach/Retreat is thirty-five pages long.

Paul spends most of the mornings drinking coffee and cranking out equations, which he sometimes tries to explain to me. He won’t be through coursework on the doctorate for another year and a half. Then he’ll write a dissertation and send it off to Earth. So maybe in fifty years he’ll get a doctorate in Quaint Astrophysics from Stanford, if there still is a Stanford.

Namir is working on another balalaika, a long one with low notes, and is slowly carving a bust of Elza, which is at a creepy stage—half of it still a block of wood and half a mostly finished sculpture, as if she were being pulled out of the material. Straight on, I think her expression is one of stoic acceptance; from another angle, her lips slightly apart, she looks like she’s on the verge of an orgasm. He knows her better than any of us, of course. Maybe that’s what she looks like all the time, to him.

I’ve taken up drawing again, using the texts Oz recommended when I was first on Mars. No paper, but it was a lifetime ago when I last had paper to spare. I can adjust the stylus and notebook to simulate pencil, ink, or wash. I’m copying some faces from the actual book that Namir brought along, all of Vermeer. His The Geographer looks a lot like Moonboy, though his hair isn’t white.

Our brand-new spaceship is getting a little worn around the edges. The air recycler started making a noise like a person whistling through her teeth, barely audible. Paul described it to the auto- repair algorithm, and the noise stopped for a few days, then came back. Meryl did it a slightly different way, and it stayed quiet. But it was a scary time. Can’t send out for parts.