Chapters (57)
- Title Page
- Copyright Page
- Dedication
- PART 1 - THE SEED
- Chapter 1 - NATIVITY SCENE
- Chapter 2 - HISTORY LESSON
- Chapter 3 - GERM THEORY
- Chapter 4 - NO ORDINARY HERO
- Chapter 5 - LOGICS
- Chapter 6 - EARTH AND MARS AND IN BETWEEN
- Chapter 7 - INTRODUCTIONS
- Chapter 8 - FAMILY MATTERS
- Chapter 9 - SECRETS
- Chapter 10 - NEW WORLD
- Chapter 11 - GOOD-BYES
- Chapter 12 - GROWING THINGS
- PART 2 - THE PLANT
- Chapter 1 - GRAVITY SUCKS
- Chapter 2 - YEAR ZERO
- Chapter 3 - RECORD
- Chapter 4 - WEIGHTY MATTERS
- Chapter 5 - SWEET MYSTERIES OF LIFE
- Chapter 6 - PRIVATE PARTS
- Chapter 7 - KAMIKAZE
- Chapter 8 - WATER SPORTS
- Chapter 9 - ADULTERY FOR ADULTS
- Chapter 10 - SWEET MYSTERY OF LIFE
- Chapter 11 - HEROES
- Chapter 12 - MEDICAL HISTORY
- Chapter 13 - TRAUMA DRAMA
- Chapter 14 - LOVE AND BLOOD
- Chapter 15 - SEX AND VIOLENCE
- Chapter 16 - INJURIES
- Chapter 17 - THERAPY
- Chapter 18 - ANNIVERSARY
- Chapter 19 - YEAR TWO
- PART 3 - THE FLOWER
- Chapter 1 - YEAR THREE
- Chapter 2 - TURNAROUND
- Chapter 3 - THE GRAND TOUR
- Chapter 4 - OTHER-NESS
- Chapter 5 - TURNAROUND
- Chapter 6 - ADJUSTMENTS
- Chapter 7 - ABOUT TIME
- Chapter 8 - LOOSE CANNON
- Chapter 9 - RELATIVITY IS RELATIVE?
- Chapter 10 - RAMPAGE
- Chapter 11 - DEAD WORLD
- Chapter 12 - NO SURVIVORS
- Chapter 13 - END OF A WORLD
- Chapter 14 - PREDICTIONS
- Chapter 15 - CHANGES
- Chapter 16 - MOONBOY SPEAKS
- Chapter 17 - CLOCK-WATCHING
- Chapter 18 - RESPONSES
- Chapter 19 - INFALL
- Chapter 20 - THE LONGEST JOURNEY BEGINS WITH A SINGLE STEP
We were all sort of braced for it when 2200 came, but of course it wasn’t like slamming on the brakes. Gravity just stopped. I pushed off gently and floated toward the ceiling. Namir and Snowbird followed.
“I guess nothing went wrong,” Meryl said, rotating by in a slow somersault.
Moonboy hadn’t moved. He took off the earphones and listened intently for a couple of seconds. “Still there.” He put them back on, hovering a foot off the couch.
Elza floated up to join Namir, clasping him with her arms and legs. Well, he wouldn’t be able to shoot pool; have to do something for two days.
Paul came out of the control room walking on the floor with his gecko slippers. He had a strange expression. My stomach fell as he spoke: “Something’s screwy.” He shook his head. “The proximity—”
There was a faint metallic sound. Then three more.
“The air lock,” Namir said.
Surprise, then terror. Inappropriately, I laughed, and so did Meryl.
“Has to be the Others,” Paul said.
“Might as well let them in,” Namir said, “before they just blow it open.”
The people who designed the ship should have put a camera out there. But we hadn’t expected callers.
We all followed Paul, all of us but Moonboy, floating various trajectories toward the air lock. Paul opened the control box and pushed the OPEN SEQUENCE button. A pump hammered for less than a minute, fading as the air was sucked out of the lock.
The outer door opened onto total darkness. There was a moment of terrible suspense. Then a man in a conventional white space suit used a navigating jet to float in and stopped by touching the inner door window.
“I’ll be damned,” Dustin said. “They caught up with us this soon?” We’d talked about the possibility of Earth’s inventing a speedier spacecraft, which would catch up with us. Turnaround would be a logical place to meet, when our engine was turned off.
“No,” Paul said, “if they were from Earth, they would have radioed.” He pushed the CLOSE SEQUENCE button, and the outer door closed and air sighed back into the little sealed room. The inner door opened and the stranger floated out toward us.
He or she or it undid the helmet clasps and let the helmet float away. A male in his twenties or thirties, no obvious ethnicity.
“Good for you. You didn’t try to kill me.”
“You’re an Other?” Paul said.
“No, of course not.” It wasn’t looking at Paul, just studying each of us in turn. “They couldn’t speak to you in real time. Your lives are trivially short and swift. I’m an artificial biological construct, like you two Martians, created to mimic a human rate of perception and reaction.
“I’m a tool made by a tool. The one who communicated with you from Triton—”
“Who tried to destroy the Earth,” Paul said.