Chapters (59)
- Praise
- Title Page
- Copyright Page
- Dedication
- Acknowledgements
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
“An aigrette, an homage to the Tiffany piece.”
“I remember,” he said. “That was quite lovely.”
“I thought so. I paid almost a hundred thousand euros for it.”
“And you have never regretted the purchase,” he said, proudly.
Hugh smiled. “Indeed, I never have. And it is that level of beauty—or something approximating it—that I wish to sell.”
“We are to start a company,” Sophie said, “which will make multiple pieces, lines of jewellery, using the more inexpensive but natural stones, and which will sell only classic designs. There will not be any white or rose gold used, or any platinum or titanium; we will make purely traditional pieces. Of course, they will not be as perfect as the aigrette. But I want to bring fine, classic jewels to those who cannot afford the prices of House Massot.”
“We are preparing financing,” Hugh added. “And we wish you to be the chief designers; to design the signature collections and to train the younger designers who we will hire, at your direction.”
They glanced at each other.
“Mr. Montfort, we are getting old.”
“Mme Massot, you have provided for us so well, to live in our old age . . .we are looking forward to our retirement.”
“But aren’t you still employed at House Massot?”
“You are joking, no?” Heinrich’s old face creased further in disgust. “We resigned, Madame. As soon as we heard you were forced out.”
“And not only us. Mlle Claudette Chiron, and Edouard Peguy, they also resigned. Mr. Stockton cut salaries for the staff—”
“They are moving Mayberry collections in with House Massot.”
“They are trying to sack many of the expensive Massot designers, other than us. Lillian Brooks, they fired her . . .”
“If you would hire Mrs. Brooks, you may do so if you work for us. We would only give you a budget. The design, the materials, everything would be sourced through you,” said Hugh.
“I love jewellery,” Sophie said passionately. “When it’s truly beautiful. And it’s a dying art. If you work for us now—for a year, maybe two—you can train the next generation, you can ensure that your work will survive.”
“And meanwhile, we will see to it that you get the credit you deserve. For too long, you have toiled in anonymity. Our first collection would be entitled the Brandt Designs.” Hugh was extemporizing, but he saw the excitement on their faces; he ploughed on. “I will arrange a private exhibition at an exclusive London gallery. And we will invite the world’s press.”
“Like your party to relaunch House Massot?” Gertrud asked Sophie, timidly.
Sophie smiled. “Bigger, far bigger. That was only a practice run.”