Chapters (59)
- Praise
- Title Page
- Copyright Page
- Dedication
- Acknowledgements
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
“While my husband has been gone,” Judy stiffened, but Sophie did not see it, “House Massot has lost its soul. We have diversified, with no success. The fashion division is an embarrassment.”
There were murmurs of agreement.
“Our jewellery has lost ground to Tiffany, to Cartier, and especially to Mayberry. But it is different from all those houses. We are more individual than either Tiffany or Cartier. Our pieces are designed by Heinrich and Gertrud, made by skilled artisans. They are one-off—they are bespoke. And at the same time, the prices reflect this.” Sophie glanced at Judy. “I’m afraid we’ve been advertising where there are no customers. We are haute couture, and whatever we may do in the future, at present we need our core customers back.”
She paused.
“They will not return with the way House Massot is now. Shabby stores filled with underpaid attendants who do not love jewellery and who take no pride in either their work or appearance. Pieces crowded together, their beauty unable to breathe. And our marque devalued by the travesty of a fashion division that nobody wears and nobody buys.”
“But change will take years,” said one of the executives, a man, combatively.
Sophie shook her head. “We do not have years, Monsieur.”
“To reform the fashion division? Find new designers . . . spend on advertising . . .”
“I am closing the fashion division, effective immediately,” Sophie said flatly.
The man blinked. “You can’t.”
“I can. And as of nine o’clock this morning, I have.”
Judy spluttered, “But—but those are assets. All the stock. The collections. We could sell them, find a buyer . . .”
“And have them go out with the name Massot? It will devalue the jewellery.”
“But that’s ridiculous!” Judy protested, forgetting herself. She thought of all the pleading, all the jockeying, the work she had done over that stupid label. The endless calls to New York, the bribes to journalists at the fashion shows in Milan and Paris, even London—no show had been too minor for her, when she was grubbing for notice.
And for what? Sophie was junking it.
“Judy,” she said. “Let me ask you. Would you wear it?”
Judy swallowed hard. She was forced to reply, “No.”
“No more would I. I went to Maison de Lis yesterday to have my hair done.” That was one of the most expensive and chic salons in Paris; Judy saved up to go there once a year for her signature cut, which she then had trimmed at cheaper places. She nodded.
“It was very crowded,” Sophie said, relentlessly. “I saw Prada, I saw Versace, I saw Richard Tyler, I saw Chloé . . . I never saw one Massot piece. Not even a bag.”
“The banks won’t let you eliminate those assets,” another man said.
“They have no choice. They lent money to the company, not to a division. And the loans are not due for three months.”
“I am already taking calls from our bankers,” he insisted, anxiously.