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Contents ( 18)
  1. Dedication
  2. CONTENTS
  3. ILLUSTRATIONS
  4. 1ST STANZA BEAMQUAKE
  5. 2ND STANZA THE PERSISTENCE OF MAGIC
  6. 3RD STANZA TRUDY AND MIA
  7. 4TH STANZA SUSANNAH’S DOGAN
  8. 5TH STANZA THE TURTLE
  9. 6TH STANZA THE CASTLE ALLURE
  10. 7TH STANZA THE AMBUSH
  11. 8TH STANZA A GAME OF TOSS
  12. 9TH STANZA EDDIE BITES HIS TONGUE
  13. 10TH STANZA SUSANNAH-MIO, DIVIDED GIRL OF MINE
  14. 11TH STANZA THE WRITER
  15. 12TH STANZA JAKE AND CALLAHAN
  16. 13TH STANZA “HILE, MIA, HILE, MOTHER”
  17. PAGES FROM A WRITER’S JOURNAL CODA
  18. Wordslinger’s Note

There was a livery stable with a sign out front reading TACK MENDED CHEAP. The sign over the hotel promised QUIET ROOMS, GUD BEDS. There were at least five saloons. Outside one of them, a rusty robot that ran on squalling treads turned its bulb head back and forth, blaring a come-on to the empty town from the horn-shaped speaker in the center of its rudimentary face: “Girls, girls, girls! Some are humie and some are cybie, but who cares, you can’t tell the difference, they do what you want without complaint, won’t is not in their vo-CAB-u-lary, they give satisfaction with every action! Girls, girls, girls! Some are cybie, some are real, you can’t tell the difference when you cop a feel! They do what you want! They want what you want!”

Walking beside Susannah was the beautiful young white woman with the swollen belly, scratched legs, and shoulder-length black hair. Now, as they walked below the gaudy false front of THE FEDIC GOOD-TIME SALOON, BAR, AND DANCE EMPORIUM, she was wearing a faded plaid dress which advertised her advanced state of pregnancy in a way that made it seem freakish, almost a sign of the apocalypse. The huaraches of the castle allure had been replaced by scuffed and battered shor’boots. Both of them were wearing shor’boots, and the heels clumped hollowly on the boardwalk.

From one of the deserted barrooms farther along came the herky-jerky jazz of a jagtime tune, and a snatch of some old poem came to Susannah: A bunch of the boys were whooping it up in the Malamute Saloon!

She looked over the batwing doors and was not in the least surprised to see the words SERVICE’S MALAMUTE SALOON.

She slowed long enough to peer over the batwing doors and saw a chrome piano playing itself, dusty keys popping up and down, just a mechanical music-box no doubt built by the ever-popular North Central Positronics, entertaining a room that was empty except for a dead robot and, in the far corner, two skeletons working through the process of final decomposition, the one that would take them from bone to dust.

Farther along, at the end of the town’s single street, loomed the castle wall. It was so high and so wide it blotted out most of the sky.

Susannah abruptly knocked her fist against the side of her head. Then she held her hands out in front of her and snapped her fingers.

“What are you doing?” Mia asked. “Tell me, I beg.”

“Making sure I’m here. Physically here.”

“You are.”

“So it seems. But how can that be?”

Mia shook her head, indicating that she didn’t know. On this, at least, Susannah was inclined to believe her. There was no dissenting word from Detta, either.

“This isn’t what I expected,” Susannah said, looking around. “It’s not what I expected at all.”

“Nay?” asked her companion (and without much interest). Mia was moving in that awkward but strangely endearing duck-footed waddle that seems to best suit women in the last stages of their carry. “And what was it ye did expect, Susannah?”