Back Son of Stone Save as PDF
Chapters (69)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Chapter 46
  50. Chapter 47
  51. Chapter 48
  52. Chapter 49
  53. Chapter 50
  54. Chapter 51
  55. Chapter 52
  56. Chapter 53
  57. Chapter 54
  58. Chapter 55
  59. Chapter 56
  60. Chapter 57
  61. Chapter 58
  62. Chapter 59
  63. Chapter 60
  64. Chapter 61
  65. Chapter 62
  66. Chapter 63
  67. Chapter 64
  68. Chapter 65
  69. AUTHOR’S NOTE

“I know what I want to write now,” she said to Peter. “What I’d like to do is to record a rough track on film to make sure I’ve got the cues right, then I’ll write some additional parts for cello, bass, and flute, and when I have the piano part perfectly recorded, we’ll dub in the other instruments.”

“That sounds perfect,” Peter said. “How did you get so good at this so young?”

“The same way you got good at filmmaking,” she said. “I studied, then practiced all the time and played with other musicians whenever I could.”

“That’s not exactly how I got to be a filmmaker,” Peter said. “I just went to the movies a lot, then made a movie. What are you going to do after graduation?”

“I’ve been accepted at Juilliard,” she said, “to study composition. I’m not really interested in a career as a concert artist; I want more freedom than that.” She reached into her handbag and handed Peter a disc. “Here’s a present for you.”

Peter looked at the label. “Rhapsody in Blue? It’s one of my favorites. So is Concerto in F. Can I put it on now?”

“No, it will just embarrass me,” Hattie said. “Listen to it when you’re alone.”

“All right.”

Stone knocked at the open door and came in. “Everything go well with the film?”

“Yes, Dad,” Peter said. “Hattie’s got what she needs now to write the whole score. And she gave me this.” He handed Stone the disc.

Stone read the label. “Carnegie Hall!” he said. “That’s very impressive.”

Hattie turned pink.

“She embarrasses easily,” Peter said. “She won’t even let me listen to it while’s she’s here.”

“I’ve heard it before,” Hattie said, getting to her feet. “And now I think I have to get home and walk the dog. I take him to Central Park about this time every day, and he’ll be expecting me.”

“I’ll walk you down and get you a cab,” Peter said.

The two went downstairs and got their coats.

Peter was back in ten minutes, and he came into the master suite.

“You want to listen to Hattie’s recording?”

“Sure,” Stone said. “Put it in the player over there.” He pointed. He tossed Peter the remote for the other side of the electric bed. “Get comfortable,” he said. Peter inserted the disc.

The music started, and Stone turned up the volume to concert level.

The two pieces finished, and they were both silent for a moment.

“That was breathtaking,” Stone said after a moment.

“It sure was.”

“Did you know she was that good before today?”

“I heard her improvise some stuff in a recital hall at school, but I’m astonished.”

“Is she going to pursue a concert career?”