Chapters (69)
- Title Page
- Copyright Page
- Dedication
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
- Chapter 56
- Chapter 57
- Chapter 58
- Chapter 59
- Chapter 60
- Chapter 61
- Chapter 62
- Chapter 63
- Chapter 64
- Chapter 65
- AUTHOR’S NOTE
“I know what I want to write now,” she said to Peter. “What I’d like to do is to record a rough track on film to make sure I’ve got the cues right, then I’ll write some additional parts for cello, bass, and flute, and when I have the piano part perfectly recorded, we’ll dub in the other instruments.”
“That sounds perfect,” Peter said. “How did you get so good at this so young?”
“The same way you got good at filmmaking,” she said. “I studied, then practiced all the time and played with other musicians whenever I could.”
“That’s not exactly how I got to be a filmmaker,” Peter said. “I just went to the movies a lot, then made a movie. What are you going to do after graduation?”
“I’ve been accepted at Juilliard,” she said, “to study composition. I’m not really interested in a career as a concert artist; I want more freedom than that.” She reached into her handbag and handed Peter a disc. “Here’s a present for you.”
Peter looked at the label. “Rhapsody in Blue? It’s one of my favorites. So is Concerto in F. Can I put it on now?”
“No, it will just embarrass me,” Hattie said. “Listen to it when you’re alone.”
“All right.”
Stone knocked at the open door and came in. “Everything go well with the film?”
“Yes, Dad,” Peter said. “Hattie’s got what she needs now to write the whole score. And she gave me this.” He handed Stone the disc.
Stone read the label. “Carnegie Hall!” he said. “That’s very impressive.”
Hattie turned pink.
“She embarrasses easily,” Peter said. “She won’t even let me listen to it while’s she’s here.”
“I’ve heard it before,” Hattie said, getting to her feet. “And now I think I have to get home and walk the dog. I take him to Central Park about this time every day, and he’ll be expecting me.”
“I’ll walk you down and get you a cab,” Peter said.
The two went downstairs and got their coats.
Peter was back in ten minutes, and he came into the master suite.
“You want to listen to Hattie’s recording?”
“Sure,” Stone said. “Put it in the player over there.” He pointed. He tossed Peter the remote for the other side of the electric bed. “Get comfortable,” he said. Peter inserted the disc.
The music started, and Stone turned up the volume to concert level.
The two pieces finished, and they were both silent for a moment.
“That was breathtaking,” Stone said after a moment.
“It sure was.”
“Did you know she was that good before today?”
“I heard her improvise some stuff in a recital hall at school, but I’m astonished.”
“Is she going to pursue a concert career?”