Back Son of Stone Save as PDF
Chapters (69)
  1. Title Page
  2. Copyright Page
  3. Dedication
  4. Chapter 1
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. Chapter 37
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Chapter 46
  50. Chapter 47
  51. Chapter 48
  52. Chapter 49
  53. Chapter 50
  54. Chapter 51
  55. Chapter 52
  56. Chapter 53
  57. Chapter 54
  58. Chapter 55
  59. Chapter 56
  60. Chapter 57
  61. Chapter 58
  62. Chapter 59
  63. Chapter 60
  64. Chapter 61
  65. Chapter 62
  66. Chapter 63
  67. Chapter 64
  68. Chapter 65
  69. AUTHOR’S NOTE

“Yes. I’ve never seen you here before. Who are you?”

“I’m Peter Barrington. I’m in the film school.”

“I’m Hattie Patrick,” she said, leaning over the lip of the little stage and offering her hand.

Peter thought she was even more beautiful close up.

“Are you new here?”

“Yes, I just started this term.”

“Where were you in school before?”

“In Virginia. I moved to New York just before Christmas. I live in Turtle Bay. Do you know it?”

“Yes. I once saw it from a tall building on Third Avenue. The interior garden looks very inviting,” she said.

“I’ll give you a tour of the gardens sometime.”

“I think we should wait until spring for that; everything’s dead now.”

“Do you compose or just improvise?”

“Composition is what I’m studying at Knickerbocker,” she said. “Why do you ask?”

“Because I’ve made a film, which is nearly finished, but I don’t have a score. Would you like to try writing it?”

“How old are you?” she asked.

“I’m eighteen,” he said. “How old are you?”

“I’ll be eighteen on Saturday,” she replied. “You talk like someone a lot older, no slang.”

“It’s not the first time I’ve heard that,” Peter said. “So do you.”

She laughed. “It’s not the first time I’ve heard that, either.”

“If you’re interested, I’ll take you to a birthday lunch on Saturday and then screen the film for you.”

“Screen it where?”

“At my house. Don’t worry, my dad will be there to chaperone us.”

She looked at him. “I’m not worried,” she said. “I’d like that, but could I see the film before then? That way I might have some ideas about the score to talk about.”

Peter took the screenplay and DVD from his leather envelope and handed it to her. “It looks best on Blu-ray.”

“I’ve got Blu-ray in my room. I’ll watch it tonight. What’s it about?”

“You’ll know tonight. Where do you live?”

“At Park and Sixty-third Street.”

“Do you know the Brasserie restaurant in the basement of the Seagram Building, entrance on Fifty-third?”

“Yes, I’ve been there.”

“May we meet at the Brasserie at twelve-thirty on Saturday?”

“Yes, that will be fine. You said your dad will be at the house. How about your mother?”

“She’s back in Virginia for a couple of weeks,” Peter replied, “moving us into a new house.”

“Are you going to live there?”

“Only part-time. New York is home, now.”

“Welcome to the big city. How do you like it so far?”

“It’s everything I dreamed it would be,” Peter said.

“You dreamed about living here?”

“Everybody who doesn’t live in New York dreams about living here. I’m no exception. I can go to the movies as often as I like.”

“The movies are your thing, are they?”