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Contents ( 73)
  1. Contents
  2. ONE
  3. VERNON MOORE
  4. TWO
  5. CALEB MOORE
  6. THREE
  7. SIDNEY CAHILL
  8. FOUR
  9. SHARON WORNKIN
  10. FIVE
  11. SIDNEY CAHILL
  12. SIX
  13. VERNON MOORE
  14. SEVEN
  15. SIDNEY CAHILL
  16. EIGHT
  17. VERNON MOORE
  18. NINE
  19. SHARON WORNKIN
  20. TEN
  21. SIDNEY CAHILL
  22. ELEVEN
  23. VERNON MOORE
  24. TWELVE
  25. SHARON WORNKIN
  26. THIRTEEN
  27. SIDNEY CAHILL
  28. FOURTEEN
  29. VERNON MOORE
  30. FIFTEEN
  31. SHARON WORNKIN
  32. SIXTEEN
  33. VERNON MOORE
  34. SEVENTEEN
  35. SHARON WORNKIN
  36. EIGHTEEN
  37. PENELOPE MOORE
  38. NINETEEN
  39. SIDNEY CAHILL
  40. TWENTY
  41. VERNON MOORE
  42. TWENTY-ONE
  43. BRENDAN CAHILL
  44. TWENTY-TWO
  45. PENELOPE MOORE
  46. TWENTY-THREE
  47. VERNON MOORE
  48. TWENTY-FOUR
  49. SIDNEY CAHILL
  50. TWENTY-FIVE
  51. VERNON MOORE
  52. TWENTY-SIX
  53. CALEB MOORE
  54. TWENTY-SEVEN
  55. SHARON WORNKIN
  56. TWENTY-EIGHT
  57. CALEB MOORE
  58. TWENTY-NINE
  59. BRENDAN CAHILL
  60. THIRTY
  61. VERNON MOORE
  62. THIRTY-ONE
  63. SHARON WORNKIN
  64. THIRTY-TWO
  65. SIDNEY CAHILL
  66. THIRTY-THREE
  67. CALEB MOORE
  68. THIRTY-FOUR
  69. VERNON MOORE
  70. THIRTY-FIVE
  71. SHARON WORNKIN
  72. THIRTY-SIX
  73. VERNON MOORE

‘Why’ve you got your home car? And you’re not in uniform?’

Because she didn’t want people noticing her retrieving Ernie’s car.

Instead of the truth she said, ‘I’m not working right now, just tying up something.’

‘I’m bringing beer,’ Jack said.

‘Bit early, isn’t it?’

Jack scoffed, turned back inside. It took him a minute to put on some pants, the dressing gown still tied around his waist as he exited and locked his home.

It didn’t take long to reach the fork in the road, past the cemetery. Neither of them spoke. Sharon turned left, found the boat turn-off.

‘What’re we doing?’ Jack finally asked. He swigged his beer.

They turned down the dirt road. The boat ramp and the river before them a slurping mess of brown. Weed and debris floating the length of it.

‘We’re collecting the car,’ Sharon said. She drove slowly, looking for Ernie’s car.

‘Why?’

‘It’s stolen, Jack. Need to retrieve it, return it to the owner.’

‘Stolen by who?’

‘That old man I brought in yesterday.’

‘Vernon Moore? The woodwork teacher?’

Sharon nodded. She meandered around the boat ramp and soon found the car. Front all banged up.

‘According to the witness,’ she said. ‘And Vernon also confessed to it.’

She didn’t turn the engine off.

Jack said, ‘So I’m driving your car back?’

‘If you wouldn’t mind.’

‘If I did, would it matter?’

Sharon made no response to this.

‘You have keys to this thing?’ Jack said, nodding in the direction of Ernie’s car.

She nodded. They both got out of her car and Jack walked around, sat in the driver’s seat. ‘Take it back to the station,’ she said. ‘I’ll follow you and then drop you home.’

‘I’ll wait to make sure you’re okay, then,’ he said, each word dripping resentment. He shut the door.

She got into Ernie’s car and reached over to the backseat. Opened one of the cardboard boxes, pulled out a tomato paste jar, found the weed. She kept her hands low but Jack didn’t seem to be watching. The product was probably all here, Vernon wouldn’t have taken any. She took a moment to check that all the boxes were full. The old man had been telling the truth.

You would’ve told the truth too, she thought, if you’d been so kicked so hard you’d been left bleeding. She wondered if his dignity had been hurt, her being a woman. Probably didn’t matter to him. Being made to feel completely powerless feels the same no matter who’s dealing the damage. That was the word too: powerless. She knew what that was like.

She started the car. Jack raised his hand to his forehead to form a visor. As she backed out, the sweeping arc of sun over the river made it look like it was illuminated from within, like a thousand luminescent fish had grouped together and spilled over onto the muddy banks. She drove up the dirt track and made her way back to the station.